Elegantly balanced, dense and ripe, Guillory's novel illuminates things alien to most, and although ugly and hard at times,...
A masterful debut novel about a young man reckoning with his family on the tough streets of Houston in the 1980s.
Guillory balances the details of the 1980s with post–Civil War history to bring continuity to the Creole-speaking, culturally steeped Boudreaux family, living in the “hood” that is South Park, Houston. Ti’ John, short for Petit John, fully John Paul Boudreaux Jr., narrates life in a well-intentioned family where mother is a devout Catholic and father is a riotous character hard to forget. Time bounces sensuously from 1870s to 1940s Louisiana to 1980 Texas, and the language and dialect change with place. In Louisiana, Haitian French flows beautifully, “ancient and powerful,” not dark or ominous like the tough talk of the ghetto kids on a steamy street where murders are woven into the fabric of the neighborhood. Ti’ John is schooled in the ways of the Creole healers by his father, John Frenchy, who has a way with horses, dice and women. But knowledge of the past crosses into the mystical as the Burning Wood Man, an uncle hanged in 1953, appears as a dark guardian for Ti’ John’s education. There is a great rhythm in this novel—in language as well as action. When the healers speak, it is from a place deep in the earth. When the street kids speak, it is in the immediacy of growing up and exotic hopes: red Now and Later candy, cars, girls, drugs, and, in Ti’ John’s case, a future that his mother has worked and prayed for. There is poetry in the ways of the Creole Boudreaux family history, in the voodoo and zydeco, and in a young man going off to college.
Elegantly balanced, dense and ripe, Guillory's novel illuminates things alien to most, and although ugly and hard at times, it brings hope, no matter the dark secrets of family.Pub Date: March 11, 2014
ISBN: 978-1-4516-9911-1
Page Count: 352
Publisher: Atria
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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