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GOOD BONES AND SIMPLE MURDERS

Atwood (The Robber Bride, 1993, etc.) is always at her worst when her acerbic sneer overwhelms other elements, and there is barely room for anything else in these short-short works. With the laundry-list mentality usually reserved for dead authors, this collection gathers up pieces that have appeared in magazines and earlier collections and simply regroups them according to a criterion that has more to do with brevity than quality. Most lack structure and read like beginning ideas rather than finished stories. Some try to turn fairy tales around, but they tend to be unfocused. In "Unpopular Gals," an "ugly stepsister" rails against fairy-tale conventions like well-behaved daughters and the fact that "there are never any evil stepfathers." In "There Was Once," the narrator tries to write a fairy tale but keeps backtracking to avoid sounding "passe" and inaccurate. "Women's Novels" also attempts literary revisionism, but its stabs at humor are blunt ("Women's novels leave out parts of the men as well. Sometimes it's the stretch between the belly button and the knees, sometimes it's the sense of humor"). "Making a Man" gives instructions for just that, and again, jokes about making males out of marzipan and gingerbread do not go any deeper. "Happy Endings" fares a little better with a list of possible scenarios for a love relationship, prefaced by the warning to read only the first "If you want a happy ending," but it is the exception among smug fluff like the poem "Let Us Now Praise Stupid Women" ("all those who dry their freshly shampooed poodles in the microwave") and "Liking Men," an examination of men and their parts that veers far off-track. Atwood has clearly grasped the differences between men and women, but her mistake lies in believing that she is the only one who has. Readers will resent paying what averages out to about ten dollars per hour for this.

Pub Date: Dec. 1, 1994

ISBN: 0-385-47110-6

Page Count: 176

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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