A startling, mordantly funny portrait of contemporary Britain, and Drabble's (The Gates of Ivory, 1992, etc.) best and most assured novel in years. At the heart of the action is Frieda Palmer, the increasingly eccentric matriarch of an eminently successful family. Frieda has gained fame for her eloquent, prophetic works on feminism (including The Matriarchy of War); her children are also variously successful: Gogo is a much-in-demand neurologist, married to an up- and-coming liberal politician; Rosemary is an influential figure in arts funding; and Daniel is a quietly accomplished barrister. The three, their spouses, and their children have gathered, as the story begins, to discuss what, if anything, can be done with their intemperate mother. She has recently engaged in a buffoonish battle with the government over taxes. And she has sold the family house, and bought a rambling, shabby hotel in Exmoor, on a cliff above the sea, where she lives alone. What will she do next? What of their reputations? And what of their inheritance? Their efforts to somehow assert control over Frieda's life eventually draw in their own children (including the free-spirited Emily, Daniel's daughter, and the brilliant, somber young Ben, Gogo's son) and set in motion a variety of subplots revealing the quiet hypocrisies at the heart of many of these lives and offering, in the person of Frieda, one of the more complex and original of Drabble's creations. A zestful, angry figure, fighting age, and struggling to come to terms with the horrific secret concerning her own marriage that she has long suppressed, Frieda, often fierce, arouses exasperation and affection in equal measure. This droll riff on King Lear manages to be both an intriguing portrait of a difficult woman and a sustained lampoon on the self-absorbed, righteous behavior of the British elite, related in prose of sustained vigor. Satire and melodrama, nicely mixed, and a thoroughly satisfying entertainment.
Pub Date: Sept. 1, 1997
ISBN: 0-15-100363-7
Page Count: 288
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a...
In the category of slam-bang, testosterone-laden, body-bag filling, hellzapoppin' potboilers, this is as good as it gets.
For those who may have wondered about the gene pool that helped produce master sniper Bob Lee Swagger, the author's demigod of a series hero (Time to Hunt, 1998, etc.), here's the tell-all prequel. Earl Swagger, valiant marine, Congressional Medal of Honor winner, is Bob Lee's demigod of a daddy. We also meet Bob Lee's brave and beautiful mama. It's the summer of 1946, and Hot Springs, Arkansas, is under the thumb of gangster Owney Maddox, who has a dream: he wants to refashion Hot Springs into an oasis of sin, a place where Meyer Lansky, Lucky Luciano, Bugsy Siegel, et al., will feel safe, comfortable, and cosseted. He’s halfway there. On the surface Special Prosecutor Fred C. Becker doesn't seem much of a deterrent, but Becker has a dream too: he wants to be Arkansas's youngest governor ever. Moreover, he has a plan: to bring Owney down by recruiting and training an elite task force that can strike hard, fast, and ruthlessly. Earl Swagger—who better?—is charged with the training. At first, things go right. The recruits are eager and motivated. Aided by the element of surprise, they deliver a series of blows that shake the Maddox realm to its Sodom-like foundations. But then Maddox, with the whole of New York gangsterdom to draw from, recruits his own elite force. The stage is set for blood-drenched confrontations, during which lots of bad men are killed, some good men are betrayed, and Earl performs exactly the way Bob Lee's progenitor should.
Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a minute to be taken seriously, but, all in all, a blast.Pub Date: July 3, 2000
ISBN: 0-684-86360-X
Page Count: 480
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
