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HOT SPRINGS

Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a...

In the category of slam-bang, testosterone-laden, body-bag filling, hellzapoppin' potboilers, this is as good as it gets.

For those who may have wondered about the gene pool that helped produce master sniper Bob Lee Swagger, the author's demigod of a series hero (Time to Hunt, 1998, etc.), here's the tell-all prequel. Earl Swagger, valiant marine, Congressional Medal of Honor winner, is Bob Lee's demigod of a daddy. We also meet Bob Lee's brave and beautiful mama. It's the summer of 1946, and Hot Springs, Arkansas, is under the thumb of gangster Owney Maddox, who has a dream: he wants to refashion Hot Springs into an oasis of sin, a place where Meyer Lansky, Lucky Luciano, Bugsy Siegel, et al., will feel safe, comfortable, and cosseted. He’s halfway there. On the surface Special Prosecutor Fred C. Becker doesn't seem much of a deterrent, but Becker has a dream too: he wants to be Arkansas's youngest governor ever. Moreover, he has a plan: to bring Owney down by recruiting and training an elite task force that can strike hard, fast, and ruthlessly. Earl Swagger—who better?—is charged with the training. At first, things go right. The recruits are eager and motivated. Aided by the element of surprise, they deliver a series of blows that shake the Maddox realm to its Sodom-like foundations. But then Maddox, with the whole of New York gangsterdom to draw from, recruits his own elite force. The stage is set for blood-drenched confrontations, during which lots of bad men are killed, some good men are betrayed, and Earl performs exactly the way Bob Lee's progenitor should.

Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a minute to be taken seriously, but, all in all, a blast.

Pub Date: July 3, 2000

ISBN: 0-684-86360-X

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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