In a retelling of an Icelandic tale resembling ``Hansel and Gretel,'' a king's children (Sigurd and Ingibjorg) are secretly armed with gifts from their dead mother—a belt that keeps the wearer from hunger, a dagger that cuts through stone—when their wicked stepmother Godrun sets them adrift in a trunk. They land on an island inhabited by Godrun's sister, a blind witch who cages and tries to fatten them to eat; escaping, they trick the witch into falling off a cliff to her doom. Fortuitously, their father turns up to sail them home, where Godrun and her brother are revealed as trolls and turned to stone by the rising sun. With settings of northern seascapes and rocky crags, biomorphic roots, and medieval artifacts, Darke's watercolor illustrations are suitably wild and romanticized; her humans are a bit clumsy, but her witches and trolls are imaginatively rendered and satisfyingly warty. Lively with incident, this provides an interesting contrast to more familiar tales. The title seems to have nothing to do with the story as told here; no source given. (Folklore/Picture book. 7-10)
Pub Date: Jan. 15, 1994
ISBN: 0-460-88133-7
Page Count: 32
Publisher: Collins & Brown/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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