An insightful and disturbing study of war as an aspect of culture.
An analysis of war throughout history.
Because Canadian historian MacMillan specializes in the 20th century, the scope of her latest is a stretch, and she is also entering a crowded field that includes plenty of excellent overviews. Despite the competition, however, MacMillan acquits herself well. She begins with the traditional warning that, despite its popularity in books and media, the concept of war is not taken as seriously as it deserves. Moralists correctly denounce its miseries but err in claiming that it is an aberration and that peace is the normal state of affairs. That prehistoric humans lived in harmony with each other was an article of faith until advances in archaeology and anthropology revealed that they led a violent existence (“humans, certainly by the time of the later Stone Age, made weapons, ganged up on each other and did their best to finish each other off”). Although the usual wars make their appearances, this is not a history of particular conflicts but of their influence on society. MacMillan emphasizes that humans grew better at making war as states evolved: “War was…an integral and necessary part of the emergence of the nation, as sanctifying it even, and the military wore a particular halo as its defenders and saviors.” In ancient Greece and early Rome, only full-fledged citizen landowners were entitled to take up arms. All cultures but one, the Chinese, have venerated their warriors and placed military values (courage, tenacity, self-discipline) above civilian (virtue, scholarship, wisdom). In nine thoughtful chapters, the author examines how increasingly sophisticated central governments gradually suppressed small-scale bloodshed—e.g., tribal conflicts, private armies, banditry, ordinary murder—in favor of efficient, large-scale warfare. With only a nod to politics and technology, MacMillan tackles broad issues such as the reasons nations go to war, the cult of the warrior, the effect of war on civilians and on women, efforts (barely two centuries old) to make laws for war, and its influence on art, literature, and national memories.
An insightful and disturbing study of war as an aspect of culture.Pub Date: Sept. 22, 2020
ISBN: 978-1-984856-13-5
Page Count: 336
Publisher: Random House
Review Posted Online: June 8, 2020
Kirkus Reviews Issue: July 1, 2020
SEEN & HEARD
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
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