An insightful and disturbing study of war as an aspect of culture.
An analysis of war throughout history.
Because Canadian historian MacMillan specializes in the 20th century, the scope of her latest is a stretch, and she is also entering a crowded field that includes plenty of excellent overviews. Despite the competition, however, MacMillan acquits herself well. She begins with the traditional warning that, despite its popularity in books and media, the concept of war is not taken as seriously as it deserves. Moralists correctly denounce its miseries but err in claiming that it is an aberration and that peace is the normal state of affairs. That prehistoric humans lived in harmony with each other was an article of faith until advances in archaeology and anthropology revealed that they led a violent existence (“humans, certainly by the time of the later Stone Age, made weapons, ganged up on each other and did their best to finish each other off”). Although the usual wars make their appearances, this is not a history of particular conflicts but of their influence on society. MacMillan emphasizes that humans grew better at making war as states evolved: “War was…an integral and necessary part of the emergence of the nation, as sanctifying it even, and the military wore a particular halo as its defenders and saviors.” In ancient Greece and early Rome, only full-fledged citizen landowners were entitled to take up arms. All cultures but one, the Chinese, have venerated their warriors and placed military values (courage, tenacity, self-discipline) above civilian (virtue, scholarship, wisdom). In nine thoughtful chapters, the author examines how increasingly sophisticated central governments gradually suppressed small-scale bloodshed—e.g., tribal conflicts, private armies, banditry, ordinary murder—in favor of efficient, large-scale warfare. With only a nod to politics and technology, MacMillan tackles broad issues such as the reasons nations go to war, the cult of the warrior, the effect of war on civilians and on women, efforts (barely two centuries old) to make laws for war, and its influence on art, literature, and national memories.
An insightful and disturbing study of war as an aspect of culture.Pub Date: Sept. 22, 2020
ISBN: 978-1-984856-13-5
Page Count: 336
Publisher: Random House
Review Posted Online: June 8, 2020
Kirkus Reviews Issue: July 1, 2020
SEEN & HEARD
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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