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WAR

HOW CONFLICT SHAPED US

An insightful and disturbing study of war as an aspect of culture.

An analysis of war throughout history.

Because Canadian historian MacMillan specializes in the 20th century, the scope of her latest is a stretch, and she is also entering a crowded field that includes plenty of excellent overviews. Despite the competition, however, MacMillan acquits herself well. She begins with the traditional warning that, despite its popularity in books and media, the concept of war is not taken as seriously as it deserves. Moralists correctly denounce its miseries but err in claiming that it is an aberration and that peace is the normal state of affairs. That prehistoric humans lived in harmony with each other was an article of faith until advances in archaeology and anthropology revealed that they led a violent existence (“humans, certainly by the time of the later Stone Age, made weapons, ganged up on each other and did their best to finish each other off”). Although the usual wars make their appearances, this is not a history of particular conflicts but of their influence on society. MacMillan emphasizes that humans grew better at making war as states evolved: “War was…an integral and necessary part of the emergence of the nation, as sanctifying it even, and the military wore a particular halo as its defenders and saviors.” In ancient Greece and early Rome, only full-fledged citizen landowners were entitled to take up arms. All cultures but one, the Chinese, have venerated their warriors and placed military values (courage, tenacity, self-discipline) above civilian (virtue, scholarship, wisdom). In nine thoughtful chapters, the author examines how increasingly sophisticated central governments gradually suppressed small-scale bloodshed—e.g., tribal conflicts, private armies, banditry, ordinary murder—in favor of efficient, large-scale warfare. With only a nod to politics and technology, MacMillan tackles broad issues such as the reasons nations go to war, the cult of the warrior, the effect of war on civilians and on women, efforts (barely two centuries old) to make laws for war, and its influence on art, literature, and national memories.

An insightful and disturbing study of war as an aspect of culture.

Pub Date: Sept. 22, 2020

ISBN: 978-1-984856-13-5

Page Count: 336

Publisher: Random House

Review Posted Online: June 8, 2020

Kirkus Reviews Issue: July 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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