A modern intercity train takes its passengers from the big city to Littleville and beyond to the tune of “The Wheels on the Bus.” Egielski’s bright, cheery cartoons provide views of the passengers inside the train and of the train itself as it travels over trestles, under overpasses and through tunnels. The pop-up technology allows for a fair degree of visual drama—a head-on glimpse of the locomotive and another image of the train snaking through a tunnel are particularly effective. As the tableaux open with each turn of the page, the book lacks the interactivity of Paul O. Zelinsky’s The Wheels on the Bus (1990), but it should prove highly popular in storytime. (Pop-up/picture book. 2-5)
Pub Date: Sept. 23, 2008
ISBN: 978-0-7868-4890-4
Page Count: 16
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
A Christmas train book that gets derailed by a lacking story arc.
Not quite the Polar Express….
Sobel’s rhyming text fails to deliver a clear premise for the eponymous goodnight train’s Christmas Eve progress through the pages, and Huliska-Beith’s acrylic paintings embellished with fabric and paper collage don’t clarify the storytelling. At the start of the picture book, a bevy of anthropomorphic animals decorates a rather rickety-looking engine, and then human children gather around and pile into train cars that look like beds and cribs. The train follows a track, seemingly in pursuit of Santa’s sleigh, but to what end isn’t clear. They travel “through a town of gingerbread” and through the woods to find the sleigh blocking the tracks and the reindeer snoozing while, mystifyingly, Santa counts some sheep. Perching the sleigh on the train’s cowcatcher, they all proceed to the North Pole, where the “elves all cheer. / Santa’s here until next year!” But then the goodnight train just…leaves, “heading home on Christmas Eve.” Was this a dream? It definitely wasn’t a story with a satisfying beginning, middle, and end. Santa’s face is never seen; the human children and elves are diverse.
A Christmas train book that gets derailed by a lacking story arc. (Picture book. 2-4)Pub Date: Sept. 10, 2019
ISBN: 978-1-328-61840-5
Page Count: 32
Publisher: HMH Books
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An A+ for Little E and his creator.
A petite excavator named Little E finds his place among a crew of full-sized, heavy-construction equipment working together to build a park.
The anthropomorphic Little E, with bright, friendly eyes and a cheery smile, invites readers into the story on the large-format cover. He is followed by a brown-and-white–spotted dog, which appears throughout the story as a friend to Little E. The construction vehicles arrive at an abandoned lot and begin working together to transform the property into a park. The rollicking, rhyming text names each type of rig and its function, including lots of sound effects and action verbs set in display type integrated into the illustrations: “Pusha-pusha smusha-smusha SMASH SMASH SMASH!” Little E tries to help with each step, but he is either too small or not strong enough for the task at hand. The last step of the park-construction project is the planting of a tree on an island reached by a bridge, but all the big rigs are too large to safely cross the wooden bridge. In a pitch-perfect conclusion, Little E is just the right size for the job. Dewdney, the late author/illustrator of the Llama Llama series, has constructed a solid winner for one of her final books, with an appealing main character, vibrant illustrations with varying perspectives, and an action-packed, rhyming text with sound effects just begging to be read aloud with dramatic effect.
An A+ for Little E and his creator. (Picture book. 2-5)Pub Date: June 6, 2017
ISBN: 978-1-101-99920-2
Page Count: 44
Publisher: Viking
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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