Essential—the energetic narrative and uplifting illustrations will inspire and empower young readers to get out the vote.

READ REVIEW

VOTE FOR OUR FUTURE!

The children of fictional Stanton Elementary School educate themselves and their community about the vote in this picture book.

With its illustrations of simple shapes in bright colors imbuing a sense of positive action and a diverse cast of characters, this picture book rocks—and that’s even before the narrative takes hold. When Stanton’s students learn that their school becomes a polling station every two years, they want to be part of it—but learn they can’t vote until they are 18. Undeterred, they take action. The kids do their research and then engage their community to encourage those of voting age to go to the polls. They go door to door with voter-guide pamphlets, they hold a bake sale (with clever reminders like “Donut forget to vote”), and remind their families to vote. Each child-empowering scenario is paired with an adult’s excuse (“I’ll be away”; “I’m not even registered”; “I can’t walk so far”), and with each comment, the kids have an answer that draws on their research: “You can vote by mail”; “It’s not hard to register”; “A volunteer can drive you!” These kids mean business; it’s their future after all. Children and adults depicted represent a range of skin colors, hair textures, and gender presentations; one girl and her aunt wear hijab. Backmatter includes a quick listing of kid-relevant federal legislation.

Essential—the energetic narrative and uplifting illustrations will inspire and empower young readers to get out the vote. (Picture book. 5-9)

Pub Date: Feb. 18, 2020

ISBN: 978-1-9848-9280-5

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A touching, beautifully illustrated story of greatest interest to those in the New York City area.

RED AND LULU

A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.

The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.

A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-7636-7733-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How to Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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