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AM I BIG OR LITTLE?

A wry look at the unique dichotomy that is part and parcel of early childhood, this playful tale examines that nebulous time period when children are alternately big enough to do some things while too small to do others. Following the same successful format of her earlier titles, Bridges (If I Were Your Father, 1999, etc.) sets up the book as a dialogue between parent and child. A little girl wonders how she can be both big and little. In the ensuing whimsical exchange, mother and daughter explore the myriad ways in which the cherubic tot is both large and small. Their voices are distinct, with the mother affectionately describing all the reasons her daughter is still little while the child exuberantly proclaims her newfound abilities. “You’re little enough to ride piggyback to the stairs.” “But I’m big enough to hop all the way down.” Many of the examples illuminate the tiny accomplishments that herald a child’s fledgling independence; from serving her “guests” first at a tea party to patiently waiting for dessert. Lest readers think the young girl is becoming too sedate, she gleefully revels in childish pleasures, reaching out from beneath her bed to tickle her mother’s ankles and dressing her cat up like an infant. Dockray’s watercolors adeptly capture the exuberance of childhood. Her energetic drawings feature a doe-eyed child, with a mass of fiery-colored, corkscrew curls rioting about her head, cheerfully scampering about. Unabashedly sentimental, this cozy tale is ideal for lap sharing. (Picture book. 3-7)

Pub Date: Aug. 1, 2000

ISBN: 1-58717-019-1

Page Count: 32

Publisher: SeaStar/North-South

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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