An irresistible inside account of life “in service” and a fascinating document of a vanished—if fetishistically...
What the kitchen maid saw.
Powell’s account of her time “in service”—employed as a servant in several stately English homes in 1920s England—is a key inspiration for such entertainments as the TV series Upstairs, Downstairs and Downton Abbey, programs that relish in the dynamic between the lordly masters of the house and the earthier workers who toil down below. The author’s voice is instantly compelling, salty and unsentimental about the many difficulties and small satisfactions she encountered as an impoverished young girl and woman struggling to make her way. Sex is much on Powell’s mind, both as a source of wry amusement and a mercenary desire to marry and escape a life of domestic drudgery, and her plainspoken bluntness on the topic is bracing. She is also amusing on the eccentricities of various employers and colleagues, the rigors of working to unreasonable standards and the social structures and mores of both the servant classes and their putative betters. But it’s Powell’s nascent social conscience—an evolving rage at the inequities and institutional humiliation inherent in the English class system—that makes the strongest impression and elevates the memoir from a quaint look back to an affecting portrait of a vital, intelligent young woman struggling to assert herself against a system that would prefer she keep her head down and her mouth shut. It’s to her credit and the reader’s good fortune that she did neither.
An irresistible inside account of life “in service” and a fascinating document of a vanished—if fetishistically longed-for—time and place.Pub Date: Jan. 3, 2012
ISBN: 978-1-250-00544-1
Page Count: 192
Publisher: St. Martin's
Review Posted Online: Nov. 27, 2011
Kirkus Reviews Issue: Dec. 15, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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