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CONEJITO

A FOLKTALE FROM PANAMA

MacDonald weaves context-translated Spanish and a simple campfire song into this easy-to-learn tale of a young rabbit who outwits three predators with some help from his canny Auntie. Bounding up the mountain to grow, “¡Gordito! ¡Gordito! ¡Gordito!” on Tia Mónica’s cakes and cookies, Little Bunny encounters Señors Zorro, Tigre and León. Putting them off with a promise that he’ll be much fatter coming back down, Conejito eats and dances with Tia Mónica until he’s “healthy and strong and fat as a butterball!”—whereupon Tia Mónica pops him into a barrel and sends him rolling safely home. Valério uses warm colors in the full bleed illustrations, s-t-r-e-t-c-h-i-n-g out the ears and tails of his rubbery figures to create a sense of exuberant motion. A lively, and less violent, variation on Betsy Bang’s Bengali version, The Old Woman and the Red Pumpkin (1975), illustrated by Molly Garrett Bang. (source note) (Picture book/folktale. 6-8)

Pub Date: April 1, 2006

ISBN: 0-87483-779-0

Page Count: 32

Publisher: Little Folk/August House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BIG CHICKENS

With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)

Pub Date: Feb. 1, 2006

ISBN: 0-525-47575-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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