A welcome memoir of time in the reportorial trenches.
A veteran journalist recounts her life in the newsroom while prescribing cures for the media’s current woes.
“If one side claims it’s raining outside, and the other side claims the sun is shining, it’s not journalists’ job to quote both equally; it’s their job to walk outside, look at the sky, and report the truth.” So writes Sullivan, the media columnist for the Washington Post, who has been covering various beats since being lured into journalism by the glamour portrayed in the film version of All the President’s Men. The author found little glamour in her work at the Buffalo News, where she wrote about poverty, pollution, and political malfeasance and learned a lesson or two about how to overcome White privilege in a largely Black city. She joined the New York Times in the role of public editor, in which she acted as a post facto umpire on published pieces. The job, of short tenure by design so that the editor didn’t become part of the establishment, was full of fights. One obituary celebrated the domestic attributes of a subject in its lede before revealing that she was a distinguished scientist; concludes Sullivan, to the anger of the obituary writer, “the glories of her beef stroganoff should have been little more than a footnote.” Small potatoes next to the biggest challenge she would face, though, when she moved to the Post and began covering Donald Trump’s countless distortions and lies, by which, thanks to his vengeful supporters, she “continually felt…irrational anger like an unending blast of liquid poison from an industrial-strength hose.” The author, whose liberal perspective is occasionally heavy-handed, acknowledges that Trump helped change journalism: It need not be adversarial, she holds, but it will necessarily be that way if it tells the truth about liars, and objectivity is a less-desirable standard than truth in the face of endless mendacity.
A welcome memoir of time in the reportorial trenches.Pub Date: Oct. 18, 2022
ISBN: 978-1-250-28190-6
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Sept. 6, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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