A heartfelt tale of family and community.
Sexton’s touching third novel explores how far a mother can impose her dreams on daughters with budding ambitions of their own.
Widowed Vivian, a refugee from the racial violence of segregated Louisiana, has made a good life in San Francisco’s Fillmore District, working as a nurse and raising her three daughters. It’s 1953, and the sounds of jazz are everywhere in the close-knit, historically Black neighborhood, especially at the Champagne Supper Club where Vivian’s girls—Ruth, Esther, and Chloe—sing every Friday night as The Salvations. For years their indomitable mother has rehearsed them on the rooftop of their home with the lights of the Nob Hill hotels sparkling invitingly in the distance, and now Vivian’s dreams of musical stardom for her daughters is about to come to fruition with a once-in-a-lifetime offer from a talent manager. But Ruth, Esther, and Chloe have grown up into vibrant, independent-minded young women, and Vivian’s hopes are about to collide with their aspirations as their community falls under the shadow of White gentrification. Sexton does a wonderful job of capturing the complicated love that binds Vivian and her daughters. She also beautifully depicts the jealousies and rivalries that can tear once-close sisters apart. (“When those two were younger, they couldn’t be separated; then their hugs turned to punches, then their punches turned to commentary, and those didn’t seem to heal like the marks did.") While the female protagonists are vividly drawn, male characters, especially James, Chloe’s White love interest, feel rather flat. Good historical fiction relies on authentic, precise details, but Sexton substitutes celebrity name-dropping (Lady Day, Ben Webster, Redd Foxx, Thelonious Monk) for research. Other details are unclear and confusing. The family lives in an old Victorian house with front and family parlors, but the rooftop where the girls rehearse is “a smooth 1,500 square feet of concrete.”
A heartfelt tale of family and community.Pub Date: Sept. 6, 2022
ISBN: 978-0-06-313996-1
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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