A beautiful account of a young woman who knew that all she needed to reach her dream was courage and a chance to try.

READ REVIEW

THE FLYING GIRL

HOW AIDA DE ACOSTA LEARNED TO SOAR

National Young People’s Poet Laureate Engle brings to children the story of Aída de Acosta, who in 1903 became the first woman to fly a motorized aircraft.

In her trademark free-verse style, Engle tells the story of Aída, a white Hispanic teenager from New Jersey who, on a trip to Paris, is dazzled by the sight of a balloon gliding by with an air boat dangling beneath and a man inside it. Determined to fly too, Aída approaches the inventor of the airship: Alberto Santos-Dumont, a Brazilian inventor known in his country as the father of aviation, achieving flight six months before the Wright brothers. Aída learns to fly, and fly she does, much to the consternation of her contemporaries: “girls, they bellowed, should never / be taught how to fly / huge machines.” Palacios’ exuberant mixed-media artwork is vibrant and colorful, in tune with Aída. Readers will chuckle at her portrayal of an aerial dinner with the waiters on stilts. In a closing note the author gives additional detail, including Aída’s promise to her father that she would keep her daring deed a secret and, later in life, after losing an eye to glaucoma, her becoming the director of the first eye bank in America.

A beautiful account of a young woman who knew that all she needed to reach her dream was courage and a chance to try. (Picture book. 4-8)

Pub Date: March 6, 2018

ISBN: 978-1-4814-4502-3

Page Count: 40

Publisher: Atheneum

Review Posted Online: Nov. 22, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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Sage, soothing ideas for a busy, loud, sometimes-divisive world.

GRANDMA'S GARDENS

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.

SHE PERSISTED

13 AMERICAN WOMEN WHO CHANGED THE WORLD

Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”

Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.

Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)

Pub Date: May 30, 2017

ISBN: 978-1-5247-4172-3

Page Count: 32

Publisher: Philomel

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 1, 2017

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