by Margarita Engle ‧ RELEASE DATE: April 1, 2008
Young readers will come away inspired by these portraits of courageous ordinary people.
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Tales of political dissent can prove, at times, to be challenging reads for youngsters, but this fictionalized version of the Cuban struggle for independence from Spain may act as an entry to the form.
The poems offer rich character portraits through concise, heightened language, and their order within the cycle provides suspense. Four characters tell the bulk of the story: Rosa, a child who grows up to be a nurse who heals the wounded, sick and starving with herbal medicine; her husband, José, who helps her move makeshift hospitals from cave to cave; Silvia, an orphaned girl who escapes a slave camp so that she may learn from Rosa; and Lieutenant Death, a hardened boy who grows up wanting only to kill Rosa and all others like her. Stretching from 1850 to 1899, these poems convey the fierce desire of the Cuban people to be free.
Young readers will come away inspired by these portraits of courageous ordinary people. (author’s note, historical note, chronology, references) (Fiction/poetry. 12+)Pub Date: April 1, 2008
ISBN: 978-0-8050-8674-4
Page Count: 176
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
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by Margarita Engle ; illustrated by Juliet Menéndez
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by Margarita Engle ; illustrated by John Parra
by Ruta Sepetys ‧ RELEASE DATE: Feb. 2, 2016
Heartbreaking, historical, and a little bit hopeful.
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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Jason Reynolds ‧ RELEASE DATE: Oct. 17, 2017
This astonishing book will generate much-needed discussion.
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After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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