From the veteran Piercy (He, She, and It, 1991, etc.): an old- fashioned heartwarmer with a feminist agenda and a leavening of schmaltz that'll get the hankies out for a sentimental cry along the way. Set in Boston and environs, the story begins in late October as three disparate women whose longings for the ordinary (decent homes, faithful husbands, better lives) have been thwarted by men each confront an approaching crisis. Leila Landsman, who writes about abused women, fears that her long marriage to theater director Nick is again in trouble; Mary Burke, a former suburban matron turned homeless housecleaner, worries about surviving the winter; and Becky Burgess, daughter of a poor fisherman, is in prison awaiting trial for the murder of her husband. In turns, the women recall their pasts as they deal with the present. Leila, realizing that philandering Nick will never change, prepares for divorce. She has also agreed to write a book about Becky's upcoming trial—which leads us to Becky and nice young Sam, her reluctant partner in crime. Sam's uncle Zak, initially hostile to Leila, soon becomes her lover; he is also a veterinarian, useful for kind Leila's coterie of stray cats. Ambitious Becky, who worked and schemed to improve her life, married Terry because he seemed to have everything she wanted—until he lost his job and found another woman. A fighter to the end, though found guilty, she plans her escape. And Mary, who cleans Leila's house and is the least convincing of the trio, remembers how her life was destroyed when her husband left her; she's injured in a fire, then is saved by Leila, who sends her to live with sister Debbie in sunny California. Leila, though now living alone, rejoices: ``at last I am my own woman.'' Despite some unnecessary speechifying on the big issues: a gripping and affecting story, dominated by Becky, a real original. (First printing of 75,000)
Pub Date: March 1, 1994
ISBN: 0-449-90907-7
Page Count: 464
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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