The personal and the political recollected with honesty and passion. (b&w photos throughout)

SLEEPING WITH CATS

A MEMOIR

From poet and novelist Piercy (Three Women, 1999, etc.), a beguilingly frank account of a fully engaged life, shared with cats.

Detailing the changes that have roiled society since the Depression, as well as her relationships with family, friends, and lovers, Piercy provides a vivid, if unanalyzed, historical and personal record of the late-20th century. Paralleling her own story are those of the cats she has known through her life: sweet-natured Fluffy, vindictively poisoned in her adolescence; difficult but beautiful Jim Beam; and her four current cats, two Korats and two tabbies. Like all cat lovers, Piercy celebrates the animals’ intelligence, loyalty, and sensitivity as she interweaves their destinies with hers. She begins with her early years in a tough Detroit neighborhood. Only child Piercy was alienated from both her Jewish mother and her gentile father while growing up, though she later became closer to her elderly mother. Young Marge belonged to a gang, carried a knife, and had numerous sexual relationships. Her parents didn’t want her to go to college, but with scholarships and money she earned working, she went off in the late 1950s to the University of Michigan. There, she won writing prizes and met her first husband, but was soon divorced. She subsequently lived in San Francisco, Boston, and New York, acquired a second husband, and, as the Vietnam War heated up, threw herself into antiwar protests. She was a prominent member of the SDS, injuring her back in encounters with the police, but after becoming increasingly soured by the New Left’s attitude toward women, she joined the burgeoning feminist movement and lived in an open marriage. Times changed: finding politics too demanding, Piercy moved to Cape Cod, where she still lives with her third husband—and the cats. Recognizing writing as “the real core” of her life, she now puts it first.

The personal and the political recollected with honesty and passion. (b&w photos throughout)

Pub Date: Jan. 1, 2001

ISBN: 0-06-621115-8

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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