by Margery Cuyler ; illustrated by Will Hillenbrand ‧ RELEASE DATE: Oct. 13, 2020
A joyous, wintry read.
When boisterous pet dogs inadvertently play matchmaker for two children, a friendship is forged.
Snow is falling. Oscar the dog is ready for Matt, the White boy he lives with, to take him on a walk. Matt promises to do so later, but Oscar runs off. At a pond thick with ice, he meets Daisy, another dog so excited to be outside that she runs from the brown-skinned girl who had been holding her leash. With the action often divided into panels to accelerate the book’s pace, the dogs run and play vigorously in the snow. When Matt—now out of the house, looking for Oscar—and the girl finally locate their pets, they become fast friends, like their two dogs. The story is a pet-centric one: The dogs take the focus, and they don’t have owners. Instead, Matt is referred to as “[Oscar’s] boy,” and Daisy yelps, “My girl!” as she licks the girl’s face. Dog lovers may get a kick out of the way in which the dialogue is written: The dogs’ barks are translated, if you will, into English: “Let’s ice-skate!” yelps Daisy, and “Let’s build an igloo!” barks Oscar (a task they accomplish with ease with neither tools nor thumbs). There is an infectious exuberance underlying the story, one communicated in the opening spread (“Snow! Snow! And more snow!”) with drifts of snow building around Oscar’s house as well as in the tireless, curious energy of the dogs. (This book was reviewed digitally with 11-by-20-inch double-page spreads viewed at actual size.)
A joyous, wintry read. (Picture book. 3-7)Pub Date: Oct. 13, 2020
ISBN: 978-1-250-17131-3
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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