by Margo Lemieux & illustrated by Francis Livingston ‧ RELEASE DATE: June 1, 1996
Lemieux (Full Worm Moon, 1994, etc.) pens an intergenerational story of two children discovering their Scottish heritage. Jimmy and Jennie have been sent to their grandparents' farm in the Canadian Maritimes to help out for the summer. Discovering Jennie's love of music, the grandfather, ``Papa,'' teaches her to play his fiddle, as his grandmother had taught him. ``Music,'' he tells her, ``is the ribbon that ties people together. It goes on and on from generation to generation and never ends.'' The tangible symbol of this connection is the faded fiddle ribbon, woven into one continuous loop, a gift that came to him with his first fiddle. Jimmy, for his part, has been learning step-dancing, and the story ends with a festive ceilidh in the barn. The looping shape of the ribbon is worked into several of the thickly textured, impressionistic paintings, reinforcing the sense of connection between the children and their once-unfamiliar grandparents. A lovely story of children learning to cherish their family traditions. The score of a traditional jig tune is appended. (Picture book. 6-9)
Pub Date: June 1, 1996
ISBN: 0-382-39097-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
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by Margo Lemieux & illustrated by Robert Andrew Parker
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Meredith Hooper & illustrated by Stephen Biesty
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by Melissa Thomson and illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2009
Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)
Pub Date: July 1, 2009
ISBN: 978-0-8037-3264-3
Page Count: 112
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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