An important story to tell about four heroines, one that will lead young readers to the longer, more-nuanced coverage...
At a time when “colored” water fountains and separate bathrooms also meant that African-Americans were excluded from many good jobs, Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden made themselves indispensable to the National Advisory Committee for Aeronautics, which became NASA in 1958.
These four African-American trailblazing mathematicians worked as NASA computers before machines performed mathematical computations for the space program despite sexism and segregation that made their jobs extremely difficult. In one spread, Freeman uses the gutter to separate these four women from several white women, illustrating how the black and the white computers worked apart, used separate bathrooms, and ate in separate lunchrooms despite working on the same kinds of assignments. While Shetterly and co-author Conkling emphasize these women’s tenacity, the picture-book lacks some aspects of their characters that the Hidden Figures film to which this is a companion captures well: their subversion, their senses of humor, and the community they built among black NASA employees as conditions improved. Their somber expressions throughout most of the illustrations imply that they found little enjoyment in their work, but their longevity at NASA suggests otherwise. Rich backmatter offers a timeline of historical events, biographies, a glossary, and an author’s note from Shetterly.
An important story to tell about four heroines, one that will lead young readers to the longer, more-nuanced coverage available when they are ready . (Informational picture book. 5-8)Pub Date: Jan. 16, 2018
ISBN: 978-0-06-274246-9
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 9, 2018
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Self-serving to be sure but also chock-full of worthy values and sentiments.
The junior senator from California introduces family and friends as everyday superheroes.
The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.
Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)Pub Date: Jan. 8, 2019
ISBN: 978-1-984837-49-3
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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