A cleareyed look at an iconic beauty pageant and its efforts to stave off irrelevance.
The Miss America program heads toward its second century still trying to shed its image as a “leg show” or “cheesecake with a side of culture.”
Journalist Mifflin offers a lively and probing appraisal of a pageant that will observe its centennial in 2021. Drawing on research that includes interviews with former Miss Americas from different eras, this well-balanced account shows that while the program has helped many contestants envision futures beyond their hometowns, it has always had unsavory aspects at odds with its organizers’ efforts to invest it with a wholesome image. The most egregious of these, formally adopted in 1940 and in effect until the 1950s, required contestants to be “in good health and of the white race.” Fresh troubles hit in later decades as feminists’ protests and expanding women’s rights made the program look out of touch. Organizers tried to adapt by killing the swimsuit competition (2018) and having each contestant choose a “social issues platform” to promote (1990). Still, the TV ratings tanked, the number of entrants plunged, and the pageant CEO was forced out after emails surfaced showing that he had “slut-shamed” contestants. Perhaps the most disturbing fact in this book is that since 2007, entrants have had to engage in what Kate Shindle, Miss America 1998, calls “pay to play.” Each contestant “must raise a minimum amount—by soliciting donations—to compete,” and while some of the proceeds go to children’s hospitals, much of it goes to pageant scholarships, so that “contestants themselves have funded 85 percent of Miss America’s scholarships.” Mifflin relates all of this without descending into ridicule or screed and with a keen sympathy for both the costs and benefits to entrants. Whether fans or foes of Miss America, few readers will see the pageant in the same way after finishing this book.
A cleareyed look at an iconic beauty pageant and its efforts to stave off irrelevance. (16-page color insert)Pub Date: Aug. 4, 2020
ISBN: 978-1-64009-223-5
Page Count: 320
Publisher: Counterpoint
Review Posted Online: April 19, 2020
Kirkus Reviews Issue: May 15, 2020
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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