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THE GIRLS WHO FOUGHT CRIME

THE UNTOLD TRUE STORY OF THE COUNTRY'S FIRST FEMALE INVESTIGATOR AND HER CRIME FIGHTING SQUAD

An inspiring work about a persistent woman who succeeded in a challenging profession.

A retired Army major general unearths the story of one of the first detectives in the New York Police Department.

Eder chronicles the life and work of Mary “Mae” Vermell Foley (1886-1967), who was raised by Irish and French immigrants in the gang-infested Gas House District of Manhattan’s Lower East Side. Sharp, energetic, and determined to make her own way in the world, she began working for the city when she was 17. From clerking at a settlement house to organizing for the Women’s Police Reserve under the auspices of the newly formed International Association of Policewomen (1915), Foley was interested in police work from an early age. Married with small children, she convinced her husband that the police force was the future. With the passage of the 18th Amendment and the Volstead Act, it was an opportune time for her to join the NYPD. By the time Foley was selected and began her training in 1923, there were 55 women serving as “full police officers,” making the department 8% female. Early on, Foley spent time on the “Masher Squad,” which “had the mission of stopping perverts and other so-called mashers bent on harassing or even assaulting women on the streets of New York, at subway stations, and even in movie theaters.” Widowed in 1928, Foley became a detective in Queens, serving in the homicide division. In 1935, women were finally “issued their own uniforms.” Foley went on to serve under Manhattan District Attorney Thomas Dewey, protecting female witnesses in the Luciano crime boss case, among others, and later worked undercover to expose the pro-Nazi actions of the German American Bund. She retired in 1945, and in 1961, the borough of Queens proclaimed her birthday Mae Foley Day. Though the prose is average, Eder presents an informative historical portrait of a largely unknown trailblazer.

An inspiring work about a persistent woman who succeeded in a challenging profession.

Pub Date: Aug. 8, 2023

ISBN: 9781728283371

Page Count: 224

Publisher: Sourcebooks

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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INSIDE THE DREAM PALACE

THE LIFE AND TIMES OF NEW YORK'S LEGENDARY CHELSEA HOTEL

A zesty, energetic history, not only of a building, but of more than a century of American culture.

A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.

Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.

A zesty, energetic history, not only of a building, but of more than a century of American culture.

Pub Date: Dec. 3, 2013

ISBN: 978-0-618-72634-9

Page Count: 448

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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A HISTORY OF THE AMERICAN PEOPLE

From veteran British popular historian Johnson, an overly exhaustive account of the vigorous and violent growth of several small British colonies into the modern American nation. Although Johnson (The Birth of the Modern, 1991, etc.) purports to present the history of the "American people," his account has an undeniably British orientation; No details can be found here of the cultures of pre-European inhabitants of North America or the history of areas not originally settled by British colonists, such as Louisiana or the Southwest. Johnson divides his account into eight periods, of which some dates seem dubious (one might question dating America's career as a superpower to 1929, the first year of the Great Depression). More troubling, though understandable in a book of this encyclopedic scope, are the author's omissions and occasionally provocative assertions. In his account of the Civil War period, for instance, Johnson fails to discuss the militarily significant Western War, and he asserts, contrary to most accounts and without much apparent authority, that Abraham Lincoln didn't love his wife and didn't like Secretary of State Seward. Johnson traces not only the military, but also the political, social, and cultural history of America. He treats such disparate topics as the poetry of Walt Whitman, the developing role of women in American society, the growth of vast business combinations in the early 20th century, immigration and urbanization, the Vietnam War, and the 1973-74 "putsch against the Executive" (which is what Johnson calls the Watergate scandal). He editorializes on virtually every subject, sometimes controversially. Noting the many problems faced by modern America, Johnson concludes nonetheless that "the story of America is essentially one of difficulties being overcome by intelligence and skill, by faith and strength of purpose, by courage and persistence." A vast tour-de-force of research and writing. Nonetheless, Johnson tries to do too much here, and the overall result is as much of a labor to read as it must have been to write.

Pub Date: March 1, 1998

ISBN: 0-06-016836-6

Page Count: 944

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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