DISHONORED

Gaudy saga of revenge and lust, spanning a century of British- Indian relations. Puzzle-boxlike in its complexity, British writer Barrett's story of three families scarred by the maniacal hand of vengeance begins in the India of 1857 when a native revolt leads to a massacre of British civilians and is in turn followed by the brutal retaliation of Colonel Reginald Mills, driven mad by the sight of his dismembered wife. In his blind rage, the Colonel kills Indrajit Rai, master jeweler to a maharajah, and ruins the rest of Rai's family. He also steals a small, jewel-encrusted bird, one of a pair. The escaped son of the dead jeweler vows revenge, taking the other jeweled bird, and so the plot begins to spin . . . and spin . . . until it ends up in London in the 1960s. There, we are introduced to the latest Mills heir, a good-looking gadabout with a married girlfriend (her husband is a brutal, class-climbing homosexual) and an eye to a royal appointment. To secure the coveted post, Philip Mills needs a wife, and he finds the perfect match in kind, sensible Jane Bennett. The young couple head to India to finish Philip's tour of diplomatic duty, though passionless Philip, with his chilly demeanor and unflagging racism, sets Jane's eye wandering in the direction of the dreamy Rami Rai, who is (you guessed it), a descendant of Indrajit. Forbidden love, a flight through the mountains, various attempts at revenge, and sundry murders all follow. There's even a stopover in a leper colony before we're hurtled back to London in the '80s, and into the life of Jane and Rami's love child, Indi. Indi then encounters more of the above plus a coded map that leads to the maharajah's missing jewels. Pulp fiction at its pinnacle: ridiculous, convoluted, artificial, possessed of a kind of faux steaminess, but, withal, undeniably energetic.

Pub Date: Oct. 24, 1996

ISBN: 0-446-52035-7

Page Count: 432

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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