Dramatically light, but historically and sociologically interesting.
From Lisbon to Montreal, De Andrade’s (The Little Sect, 2015, etc.) second novel follows the lives of Marta and Tiago Sousa, a young Portuguese couple who stake their hopes for better opportunities on a move to Canada.
In April of 1974, the fascist government of Portugal that had ruled for almost 50 years was overthrown in a one-day military coup that was known as the Carnation Revolution. It’s on the morning of this revolution that we meet Marta and Tiago, both 24 years old, three-months married, and about to move into a new apartment just outside Lisbon. Marta works in the Lisbon office of SKF, a Swedish company, and Tiago is a mechanic for Auto Europa. Tiago has longed to move to Canada, where he believes that greater chances await for advancement and he can one day run his own auto-repair business. But Marta is pregnant, and the revolution bodes well for their future. They decide to remain close to family and friends, and the first half of the novel depicts the early, Lisbon years of their marriage. In 1979, Tiago is restless, and they agree to move to Montreal with their 4-year old son, Paulo, and start over. What follows is an immigrant’s tale—the hope, the fear, the challenges of learning to be part of a new cultural milieu, not to mention the need to become fluent in two new languages, English and French. The third-person narrative centers around Marta and concentrates on her family relationships and workplace experiences. She obtains employment with a shoe company, S & K Imports, and remains there for 30 years, until her retirement. This focus on her office life—in Lisbon and in Montreal—gives De Andrade the opportunity to explore differences between multicultural French Canada and homogeneous Portugal in terms of social norms, employee environments, and political institutions. There are sporadic grammatical stumbling blocks (“Tiago made sure to have Marta sat by his side.”), but the text is informative, if not quite passionate.
Dramatically light, but historically and sociologically interesting.Pub Date: Dec. 13, 2016
ISBN: 978-1-4602-9716-2
Page Count: -
Publisher: FriesenPress
Review Posted Online: Feb. 17, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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