A magical book about love and death and the slender, enduring line that connects the two.
A brother and sister’s incestuous relationship becomes something even stranger in this novel set in Viking times.
Folkví and Áslakr were born into a prominent family in an isolated coastal village sometime during the great Viking era of trade and exploration. Folkví trains with her mother to become the area’s völva, a kind of seer responsible for acting as a mediator between the world of men and that of the gods. Meanwhile, Áslakr is thought to be one of “the most promising of all the children in the headman’s yard,” sure to become an important member of the expedition crews who travel far down the coast in search of new trading ports. But when the siblings’ parents both die suddenly after a brief illness, Folkví and Áslakr are forced to navigate their adult roles before they are fully prepared, including their first sexual experimentations, which they undertake with each other. With Áslakr gone for the winter months on his first expedition, Folkví begins a relationship with the darkly magnetic Od, a stranger from outside the village, but when Áslakr returns betrothed, all the formidable force of Folkví’s concentration turns to her obsessive quest to keep her brother for herself. The book is narrated from both siblings’ perspectives—Folkví’s section set in the summer of her brother’s betrothal and Áslakr narrating from many years later as he looks back on the life that followed his marriage. While there is a marked difference between the ways they interpret the world, the constant thread of delight in the natural world’s magic and awe in the face of its total domination of mortal lives weaves through every sentence of the sublimely described setting. This is so well achieved that the slender chapter bridging the period that passes between the siblings’ stories—told from the perspective of Urd, one of the three Norn sisters who weave the threads of human lives from their land beyond mortal time—serves to underscore the reality of their mystic lives rather than excuse or explain the novel’s forays into mythological fantasy.
A magical book about love and death and the slender, enduring line that connects the two.Pub Date: April 11, 2023
ISBN: 9780593542606
Page Count: 224
Publisher: Riverhead
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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