by Maria Hummel ‧ RELEASE DATE: Sept. 2, 2002
Another for Civil War buffs or history junkies. Others can pass.
The Civil War, a budding romance, snippets of Walt Whitman—none of these does very much to elevate this flat first novel of two cousins during the War Between the States.
It’s 1859, and Isabel Lindsey, 12, worships her older cousin Laurence, so when he insists she help a runaway slave they stumble upon, she hesitantly agrees. Though it’s a free state, some Vermonters, including the prominent Lindsey family, return runaway slaves to their owners. The fate of the poor slave the two are unable to help spurs Laurence to join the Union Army a couple of years later to fight for justice. The hardships of war, the camaraderie of (and sometimes conflicts between) the soldiers, the change from Laurence the boy to Laurence the world-weary man in just a few short years—all these are well-detailed yet not especially original ways to approach this oft-written-about American tragedy. Though largely concerning itself with Laurence and his experiences on the battlefield, the story occasionally shifts back to Bel at home in Vermont, and the speedy romance that has developed between her and her French tutor, Louis. Inspired by Bel’s convictions, Canadian Louis decides also to fight for the North and soon finds himself face-to-face with Laurence, who, in his exhaustion, has decided that he’s in love with Bel, too. That, and a somewhat pointless subplot involving a romance between Bel’s mother and Laurence’s father (perhaps unrequited), gives respite from the war at the front. The graphic finale, when Laurence and Louis barely survive the devastating Battle of the Wilderness, has Bel in a Washington hospital nursing an unrecognizably deformed Laurence and stealing kisses with Louis. Solid language, likable characters, steady enough plot—and yet the story never seems to take off, stuck as it is in material that’s been picked over with a fine-toothed comb.
Another for Civil War buffs or history junkies. Others can pass.Pub Date: Sept. 2, 2002
ISBN: 0-312-28757-7
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Maria Hummel
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by Maria Hummel
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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