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THE ORNAMENT OF THE WORLD

HOW MUSLIMS, JEWS, AND CHRISTIANS CREATED A CULTURE OF TOLERANCE IN MEDIEVAL SPAIN

Contemporary Israeli poets and Arab intellectuals pine for the glories of al-Andalus, as did Federico García Lorca and...

A resonant and timely case study of a time when followers of the three monotheisms set aside their differences and tried to get along.

Golden ages always turn out to have their rotten linings, but the centuries when a tolerant Muslim dynasty ruled over most of Spain were uncommonly free of nastiness. So writes historian Menocal (Humanities/Yale Univ.) in this unusually graceful study, a sturdy and eminently readable exploration of the “unknown depths of cultural tolerance and symbiosis in our heritage” that may help revise our view of the Middle Ages. Ruling from 756 until 1492, the Ummayads and their political descendants took a broad view of life, according equal status to their fellow “peoples of the Book,” the Christians and the Jews of Spain. In time, these peoples blended and became nearly indistinguishable, a troubling matter to those powerful Christian regimes elsewhere in Europe who branded their Spanish brethren as Mozarabs, or, in Menocal’s translation, “wanna-be Arabs.” This equality, or dhimma, led to great things, including the flourishing of scholarship and the arts, to say nothing of “virtually unlimited opportunities in a booming commercial environment” brought on by the absence of ethnic strife. The era’s monuments, the great towers and mosques of southern Spain, still endure, as does its great literary testament, Don Quixote, “a postscript to the history of a first-rate place.” Alas, writes Menocal, this wonderland came crashing down with the late medieval clash of Inquisitorial Christian armies and fundamentalist Muslims, when purity of blood and of faith became the ideals of a Spain determined to root out its Islamic heritage, intolerant ideals that were soon to be transported to the New World.

Contemporary Israeli poets and Arab intellectuals pine for the glories of al-Andalus, as did Federico García Lorca and Antonio Machado. So, too, does Menocal.

Pub Date: May 2, 2002

ISBN: 0-316-56688-8

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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