by Maria Toorpakai with Katharine Holstein ‧ RELEASE DATE: May 3, 2016
A vivid personal account of a courageous young woman standing up to one of the world’s most oppressive theocracies.
In her first book, squash champion Toorpakai recounts her remarkable life as a tomboy athlete in tribal Pakistan.
There are many stories about women who overcame sexist hometowns to become sports legends, but Toorpakai’s case was extreme: she grew up in Waziristan, an extremely traditional region where women are routinely stoned to death for transgressions. Yet the exhilarating first chapter shows the author defiantly burning her dresses and slashing off her long hair. Toorpakai was a born athlete, and her skills as a squash player helped her escape. But her game of choice is less important to her tale than the brutality of her homeland. Before she ever picked up a racket, the author witnessed a savage execution and several coldblooded homicides. She received a beating from a mullah and was called a “dirty girl” because she liked soccer. Toorpakai might have met a tragic fate, but her father was shockingly progressive: a gentle and good-humored professor, he encouraged his daughter to identify as a boy. “Life as a boy was beautiful,” she writes, “without silk ribbons or beaded dresses or long, black braids. It was a bold and rugged beauty….It was sweat-soaked T-shirts and my brother’s cast-off shorts.” But as Toorpakai succeeded on the court, she roused dangerous enemies. Threatened by Taliban killers, she was rescued by Canadian squash champion Jonathan Power. Unlike so many sports memoirs, Toorpakai and co-author Holstein write eloquently about Pashtun life, and the prose is often poetic and even mystical. For the author, becoming a pro athlete has been a matter of life and death. “It’s not about playing anymore, Maria,” her father said just before her first tournament. “It’s about staying alive.” The book ends abruptly with her arrival in Canada, but it seems clear that Toorpakai’s real life is just beginning.
A vivid personal account of a courageous young woman standing up to one of the world’s most oppressive theocracies.Pub Date: May 3, 2016
ISBN: 978-1-4555-9141-1
Page Count: 368
Publisher: Twelve
Review Posted Online: Feb. 17, 2016
Kirkus Reviews Issue: March 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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