by Marian Armstrong Rogers ‧ RELEASE DATE: Sept. 10, 2015
An account that eloquently shows the author’s resilience through heartbreaks.
In this debut memoir presented as a short story cycle, a woman looks back on her life and how she found moments of grace amid many trials.
These linked tales begin with an unnamed heroine, called “she” or “the girl,” who grew up during World War II. She became childhood friends with “laughing, teasing, blue-eyed Johnny,” a neighbor boy who pulled her braids but also shared special moments like catching pollywogs. As the stories continue, increasingly in first-person narration, the protagonist (her name is eventually revealed as Marian) attended school, loved reading books, cheered the high school football team, worked and saved money, and, at age 18, married John in 1952. The young couple moved several times from state to state (Florida was a disaster), but they settled in New York, sometimes changing houses. Marian and John had four children and mostly a good marriage, but illnesses both mental and physical struck the people she loved. John had a psychotic break; one daughter was diagnosed with bipolar disorder and committed suicide; another struggled badly with Type I diabetes and endured a pancreas transplant. Marian, at first forced into it for economic reasons, came to find satisfaction in employment, gaining promotions as her skills improved. After an affair, Marian divorced John and married Sam, but in time he developed Alzheimer’s disease, his death shattering her. In her book, Rogers clads her beginning chapters in an idyllic haze seemingly constructed from Saturday Evening Post covers and the romanticizing in midcentury women’s magazine fiction. But the narrator also admits that, as an older woman now, “she wants a happy beginning to a story that ended so sorrowfully,” helping to explain this section’s overly slick and sentimental feel. In the strongest chapters, Rogers unflinchingly explores the exhausting toil and mental misery of caring for sick loved ones. And, though overly repetitive when read as a whole, this part is the best way to appreciate the narrator’s emotional and artistic growth. In re-creating the past, she realized “the only possible happy ending for a story such as this: my reconstructed heart.”
An account that eloquently shows the author’s resilience through heartbreaks.Pub Date: Sept. 10, 2015
ISBN: 978-1-5172-9950-7
Page Count: 238
Publisher: CreateSpace
Review Posted Online: May 18, 2017
Review Program: Kirkus Indie
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.