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THE WOMAN WHO STOLE MY LIFE

A salon owner–turned-invalid-turned author struggles to make sense of her life, and sometimes so do we.

The roller-coaster tale of a chatty Dublin woman rendered speechless, then renewed by the love of a good doctor—and a terrible literary agent.

From the Brontës to Maeve Binchy to Helen Fielding, British and Irish writers have long specialized in diarylike stories of ordinary women thwarted by unusual circumstances. The Limerick-born Keyes, now on her 13th novel (The Mystery of Mercy Close, 2013, etc.), offers an entertaining if choppy take on the genre. Her heroine, Stella Sweeney, shuttles between the present and recent past to unpeel a quirky love story. While muddling through a mediocre marriage blessed with two surly teens, Stella is felled by a sudden illness that confines her to the hospital for months, unable to move or speak. As her husband grows petulant and her children, more distant, Stella finds herself connecting only with her handsome neurologist, the perfectly named Mannix. He draws an articulate wisdom out of his patient that much of her rambling narrative doesn’t lead us to expect, and the two of them start a stormy relationship after Stella has healed and both their marriages have crumbled. When it turns out that—why not?—the doc has gone ahead and self-published a collection of bedridden Stella’s bons mots, it somehow winds up in the hands of the U.S. vice president’s wife in a photo in People  (yes, that’s as convoluted as it sounds). Thus begins Stella’s new career as a memoirist, feeding the American hunger for nuggets of clichéd advice resulting from extreme hardship. Her journey involves Manhattan, money-grubbing publishers, highbrow beauties, oddball relatives, and a lot of phone sex. It’s a fun romp, as they say, but be sure to bring your suspension of disbelief to the book release party.

A salon owner–turned-invalid-turned author struggles to make sense of her life, and sometimes so do we.

Pub Date: July 7, 2015

ISBN: 978-0-525-42925-8

Page Count: 464

Publisher: Viking

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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