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LUCA'S BRIDGE / EL PUENTE DE LUCA

Despite flaws, this book can serve as a springboard for discussion of this timely and sensitive issue.

Luca and his family self-deport to Mexico after receiving a letter.

Because neither Luca’s mother nor his father has “papers,” they can no longer live in the United States even though the boy and his brother, Paco, are U.S. citizens. Saddened, they cross the border and drive to Grandma’s house. Luca, who speaks no Spanish, finds solace in his trumpet. When he falls asleep, he dreams he crosses a bridge of music back over the border. After visiting his old home, he flies to his school and plays a song for his friends who have gathered to greet him. The experience makes him so happy he wakes up laughing, and his entire family joins in as sadness flies out the window. Their laughter builds a bridge of hope to the home they were forced to abandon. Llanos’ bilingual snapshot of American children trapped by complicated immigration policies meanders in a disjointed journey across the southern border. The abrupt, naïve ending implies that because Luca can visit his friends and home in his dreams, all is well, and he and his family are no longer depressed. López Real’s manga-inflected illustrations are heavily symbolic, but sometimes they inexplicably diverge from the narrative. Where a bridge is mentioned, there is only a dilapidated fence; where a hill is described, there is a flat valley. In addition, details unnecessarily change from scene to scene. A Spanish version of the text, also written by Llanos, runs alongside the English.

Despite flaws, this book can serve as a springboard for discussion of this timely and sensitive issue. (author’s note) (Bilingual picture book. 5-10)

Pub Date: April 16, 2019

ISBN: 978-0-9987999-5-7

Page Count: 40

Publisher: Penny Candy

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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