In this memoir Torgovnick (English/Duke Univ.) proves herself to be a rare breed: a cultural critic who writes lucidly and perceptively not only about her chosen texts, but about herself. The first half of the book consists of autobiographical essays on crossing boundaries of class, religion, education, and place, as an Italian-American woman. Torgovnick grew up in Bensonhurst, a working-class, predominantly Italian-American neighborhood in Brooklyn, N.Y. Ocean Parkway, which divides Bensonhurst from Sheepshead Bay (the middle-class, Jewish neighborhood into which she eventually married), symbolized upward mobility and the possibilities of life beyond the confines of her insular world. These essays describe her experiences as an academically successful girl in a community where intellectual expectations for girls were low; later, as a professor in a Waspy college town, she also felt herself an outsider. The book's latter half consists of essays of cultural criticism, on Italian-American icons such as The Godfather, as well as other American literary institutions—Dr. Dolittle, critic Lionel Trilling, and the canon. Torgovnick writes her critical pieces in the same intimate, personal voice she uses in the memoirs. Throughout, she is willing to revise and add complexity to her own narratives. In an epilogue on her father's death, for instance, she reflects that, although she felt that she was rebelling against him in ``crossing Ocean Parkway''—marrying Jewish, going to college, and moving out of the neighborhood—he may have been more of an ally than she had thought. He protested when she skipped grades in school, yet he also gave her books, took her into the city, and was a model of gender rebellion—pulling down the shades so the neighbors couldn't see him doing housework. Torgovnick's scholarly background and life experience inform her readings of both American culture and her own past; she has found an essayist's voice that is very much her own.
Pub Date: Oct. 1, 1994
ISBN: 0-226-80829-7
Page Count: 200
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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