THE BOY WHO RAN WITH THE GAZELLES

Stories of feral children abound, and they fascinate, but this one is disturbing in odd ways. A desert nomad woman has no milk, and so brings her pet gazelle for her small son to nurse. One day the boy and the gazelle wander off, and the tamed gazelle finds a herd of her own kind. She protects the boy and he learns to run and feed with the herd. Men with jeeps and nets discover and capture him; he’s terrified, will not eat and finally escapes. When he is spied in later years, grown but still with the gazelles, his discoverer does not speak of it, thinking the boy has found his home and should remain there. Gore’s golden, shimmering acrylic and pastel paintings show light and speed, terror and tenderness—the boy, though naked, is never seen fully. The young children at whom this is aimed may be confused about how the boy is actually fed, how he survives and why he is so unhappy when captured. A long author’s note about wild children doesn’t offer quite enough exegesis. (Picture book. 5-9)

Pub Date: July 1, 2005

ISBN: 0-8037-2522-1

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2005

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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Energetic and earnest but not groundbreaking.

I'M NOT SCARED, YOU'RE SCARED

Unlikely friends Bear and Rabbit face fears together.

The anthropomorphic creatures set out on an adventure. Graphic-based illustrations give the book a Pixar movie feel, with a variety of page layouts that keep the story moving. Large blocks of black text are heavy on dialogue patterns as timid Bear and bold Rabbit encounter obstacles. Bear fears every one of them, from the stream to the mountain. He’ll do anything to avoid the objects of terror: taking a bus, a train, and even a helicopter. As Rabbit asks Bear if he’s frightened, Bear repeatedly responds, “I’m not scared, you’re scared!” and children will delight in the call-and-response opportunities. Adults may tire of the refrain, but attempts to keep everyone entertained are evident in asides about Bear's inability to brush food from his teeth (he’s too afraid to look at himself in the mirror) and Rabbit's superstrong ears (which do come in handy later). When Rabbit finds herself in danger after Bear defects on the adventure, Bear retraces the trip. Along the way, he notes that the stream wasn't as deep, nor the mountain as high, as he thought when he was scared. While picture-book shelves may not be screaming for another comedically sweet bear story, especially one that treads such familiar territory, many readers will appreciate this tale of overcoming fears. (This book was reviewed digitally.)

Energetic and earnest but not groundbreaking. (Picture book. 5-7)

Pub Date: March 15, 2022

ISBN: 978-0-593-35237-3

Page Count: 40

Publisher: Flamingo Books

Review Posted Online: March 29, 2022

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