by Marianne C. Bohr ‧ RELEASE DATE: Sept. 1, 2015
A travelogue filled with historic places, but its personal stories provide its highlights.
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A 55-year-old woman and her husband uproot their lives to take a yearlong European tour in Bohr’s debut memoir.
Relatively few people get the opportunity to travel abroad for a significant amount of time, exploring culture, history, and cuisine in different parts of the world. Bohr got not one, but two such chances. Her first, as a graduate student, was a bare-bones, laissez-faire journey, but her second, as a wife and mother who qualified for senior discounts, was a much more carefully planned-out affair. In fact, it took Bohr and her husband, Joe, many years to plan their own “gap year,” in which they hoped to visit more than 20 different countries. Most readers may find their preparations daunting, if not downright terrifying: they developed and executed a calculated savings plan, quit their jobs, and sold half of their worldly belongings. By sticking to their schedule and budget, they managed to see several nations throughout Europe and even took a foray into Africa. The journey, which may seem like an all-but-impossible undertaking, is made very real through Bohr’s frank accounts of their planning, discussions, and decision-making over several years to make their trip a reality. Bohr frequently details the histories of the sites they visited, often providing as much background information as a comprehensive travel guide. Some readers may wish that she had included pictures or illustrations to complement her descriptions, however. At more than 350 pages, this isn’t a memoir to breeze through. Indeed, at times, the lengthy, myriad descriptions and leisurely pace may remind some of watching a friend’s vacation slide show. Bohr shines, however, when she provides glimpses of herself as a whole person, not simply a traveler; for example, her disappointment about their visit to Morocco, where she experienced pushy salespeople, con artists, refuse-filled streets, and dispiriting poverty, is at once visceral and relatable. Her book is an excellent choice for armchair travelers who want to see the sites but are in no particular hurry to do so.
A travelogue filled with historic places, but its personal stories provide its highlights.Pub Date: Sept. 1, 2015
ISBN: 978-1-63152-820-0
Page Count: 372
Publisher: She Writes Press
Review Posted Online: July 14, 2015
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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