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OTTO AND PIO

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe...

In this French-Canadian import, when a mysterious pod appears on the branch outside his home, a squirrel must decide the limits of his responsibility for the creature within.

At first, Otto steps over the sphere. Even when it hatches and a white fur ball calls him “Mommy,” the homeowner rushes inside: “Otto wasn’t curious, but he was cautious.” Eventually relenting, he offers the baby a spot in his hammock. Each day, the critter grows at an alarming rate, eating hazelnuts, occupying more sleeping space, and inadvertently breaking furniture. All the while, the bushy-tailed protagonist searches for the mother, to no avail. Conflicted, but cramped, Otto stomps off, ignoring his own advice to be watchful of the eagle. In the nick of time, he is rescued from menacing talons, and Otto decides that renovations to expand his property are in order. Convincing dialogue provides the emotional arc, while Dubuc’s pencil-and-watercolor scenes depict the cozy woodland life that animal lovers fantasize about. Close-ups reveal curtains at the home’s window and a lantern illuminating the entrance; Pio, as the creature calls himself, prepares a soothing vegetable stew and strings colorful yard decorations to please his hardworking host. Longer views show the bulk of the tree and the starlit sky beyond.

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe but who responds to the impulse of hospitality and friendship. (Picture book. 4-7)

Pub Date: March 19, 2019

ISBN: 978-1-61689-760-4

Page Count: 68

Publisher: Princeton Architectural Press

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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