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OTTO AND PIO

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe...

In this French-Canadian import, when a mysterious pod appears on the branch outside his home, a squirrel must decide the limits of his responsibility for the creature within.

At first, Otto steps over the sphere. Even when it hatches and a white fur ball calls him “Mommy,” the homeowner rushes inside: “Otto wasn’t curious, but he was cautious.” Eventually relenting, he offers the baby a spot in his hammock. Each day, the critter grows at an alarming rate, eating hazelnuts, occupying more sleeping space, and inadvertently breaking furniture. All the while, the bushy-tailed protagonist searches for the mother, to no avail. Conflicted, but cramped, Otto stomps off, ignoring his own advice to be watchful of the eagle. In the nick of time, he is rescued from menacing talons, and Otto decides that renovations to expand his property are in order. Convincing dialogue provides the emotional arc, while Dubuc’s pencil-and-watercolor scenes depict the cozy woodland life that animal lovers fantasize about. Close-ups reveal curtains at the home’s window and a lantern illuminating the entrance; Pio, as the creature calls himself, prepares a soothing vegetable stew and strings colorful yard decorations to please his hardworking host. Longer views show the bulk of the tree and the starlit sky beyond.

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe but who responds to the impulse of hospitality and friendship. (Picture book. 4-7)

Pub Date: March 19, 2019

ISBN: 978-1-61689-760-4

Page Count: 68

Publisher: Princeton Architectural Press

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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