A bittersweet meditation on human connections and the transformative power of friendship.


When a reserved and unassuming man meets a free-spirited young woman, a bond develops that changes both of their lives.

In this debut novel, Henry is an orderly man who rarely deviates from his strict schedule. He lives in a modest home in a quiet neighborhood in Silverton, Connecticut, and works for Haul of Fame Trucking. When he is not tending to his meticulously maintained yard, he visits his elderly mother, who has dementia. Twice a week he goes to Stan’s Deli, where he purchases soup and a dinner roll. One day, he arrives at the deli for his usual order and is surprised to see someone new behind the counter. Chiffon, Stan’s distant cousin, is an idealistic young woman searching for her place in the world. Their initial interactions are cautious but cordial; Henry values certainty, and Chiffon’s moods and style of dress are anything but predictable. Over the course of several months, a friendship gradually develops. Chiffon introduces Henry to new experiences, including riding a bicycle, and he offers his support as she struggles with depression. When Henry and Chiffon face personal crises, they discover how simple acts of kindness can evolve into a deep and meaningful friendship. Holmes’ novel is a gentle and affecting portrait of friendship and the life-changing effects of reaching out and embracing new experiences. Henry and Chiffon are complex and engaging protagonists whose unexpected connection changes them in ways neither could imagine. Their friendship develops slowly, built on small acts of consideration such as Chiffon’s giving Henry a ride home from the deli. Chiffon is unlike anyone Henry has ever met, and the author does a fine job capturing his awkwardness as he tries to relate to her. Chiffon is a compassionate woman who hopes to make a difference by volunteering in her community. Holmes is particularly adept at connecting her protagonists’ experiences with those of a well-developed group of supporting characters. A particularly strong subplot focuses on Henry’s colleague Sylvie, who is inspired by his independence and strives for that in her own life.

A bittersweet meditation on human connections and the transformative power of friendship.

Pub Date: July 26, 2018

ISBN: 978-1-5320-4842-5

Page Count: 230

Publisher: iUniverse

Review Posted Online: Nov. 5, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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