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CHRISTINA THE ASTONISHING

Think Adriana Trigiani writing with a sharpened nib, and pray to your own saints that we’ll read more from Leone soon.

An awkward, spiky Italian American teen navigates family chaos, Catholic school, and misogyny in 1960s Boston, with brio.

Christina Falcone thinks she doesn’t have much going for her. Her hair is wild, her breasts slow to grow, no one believes in her academic ambitions—but worst of all, she’s lonely, especially as high school begins and her former best friends turn to cheerleading, which she considers “fun for the feeble-minded”; she’ll crank up her Joan Baez and Simon & Garfunkel albums instead. If that sounds like a YA novel, be assured it’s not, with author Leone’s close third-person narration providing a knowing, ironic tone. Chapters feel as different, and occasionally as uneven, as rough gems in medieval crowns. Christina has a thing for the saints of that era; she devours their stories and obsesses over the ones who supposedly endured multiple torments. When she discovers the never-canonized St. Christina the Astonishing, who preferred birds to people, she knows she’s found her own idol. If only her 11th-grade teacher Sister Coronada could see that Christina dreams of the kind of attention the holy martyrs have, and convince Joe and Rita Falcone that their unusual daughter should go to college instead of staying at home working until she’s married. Leone, who played Christopher Moltisanti’s mother on The Sopranos, knows her Catholic-guilt territory, but she also nails the working-class Beantown ethos, with students addressing nuns as “S’tah,” frequent jabs at the Irish from the Italians and vice versa. As you commiserate with Christina and laugh at her very small world’s idiosyncrasies, you’ll almost smell the Sunday sauce on the Falcones’ stove. As Rita says, “Eat. God wants you to eat. It’s not a sin. It’s a sin to waste food.” That could mean anything from an overstuffed sandwich to a slice of ricotta pie, so why not have both? In other words, this brash, witty, slice-of-life book is a feast.

Think Adriana Trigiani writing with a sharpened nib, and pray to your own saints that we’ll read more from Leone soon.

Pub Date: Sept. 2, 2025

ISBN: 9781636142616

Page Count: 240

Publisher: Akashic

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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