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THE OTHER EINSTEIN

An intriguing, if thin, reimagining of one of the strongest intellectual partnerships of the 19th century.

What if Mileva Marić, Albert Einstein’s first wife, contributed more to the theory of relativity than anyone knew?

Afflicted with a congenital hip defect, Mileva grows up convinced she will always be disdained and will never marry. Her only hope for happiness lies in physics; indeed, she sees God in the details of the mathematical universe. Fortunately, her father supports her unconventional destiny. Soon after moving to Zurich to study at the Swiss Federal Polytechnic, Mileva has not only gained a circle of like-minded girlfriends, but also attracted the attention of a disheveled classmate: Albert. Despite Mileva’s reticence, Albert quickly ensconces himself in her life, joining in spirited musical evenings previously reserved for her girlfriends, pulling her into intellectual debates at cafes, and ultimately seducing her into his bed. Enthralled by her first love, Mileva wonders whether marrying Albert is wise: what will become of her own dreams? Benedict’s debut novel carefully traces Mileva’s life—from studious schoolgirl to bereaved mother—with attention paid to the conflicts between personal goals and social conventions. Aligning the scientific accomplishments with the domestic tribulations of 19th-century life holds promise. Yet from the moment Mileva falls for Albert, she submits easily to the expectations both society and, surprisingly, Albert hold for women. Narratively, too, Benedict douses the fire and passion expected from such an iconoclast as Mileva Marić. She certainly builds tension each time Mileva bends a rule to advance her relationship with Albert. Yet even these first forays into collaboration reduce Mileva from Albert’s intellectual equal, and often superior, to the shadows: Albert easily convinces Mileva to ignore her doubts about his fidelity, establishing the pattern of sacrificing Mileva’s astonishing intelligence to social harmony.

An intriguing, if thin, reimagining of one of the strongest intellectual partnerships of the 19th century.

Pub Date: Oct. 18, 2016

ISBN: 9781492637257

Page Count: 304

Publisher: Sourcebooks

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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THE LAKE HOUSE

An atmospheric but overlong history of family secrets and their tormented gatekeepers.

A suspected kidnapping, a once-proud manor house, and a disgraced police officer all figure in Morton’s latest multigenerational Cornish saga.

In 2003, Sadie is put on administrative leave from her post with the London police force for getting too involved in a child-abandonment case. She retreats to her grandfather’s house in Cornwall, and there, while jogging, she happens upon the ruin of what locals inform her is Loeanneth, the ancestral lakeside manse of the deShiel family. The story ricochets among 2003, 1911, and 1933 as we learn that Eleanor deShiel, who inspired a children’s book reminiscent of Alice’s Adventures in Wonderland, became the chatelaine of Loeanneth thanks to a Downton Abbeyesque plot twist in which, due to the Titanic disaster, new husband Anthony Edevane inherits enough money to reclaim her birthright from creditors. But when Anthony goes to war, he returns shell-shocked and prone to unpredictable outbursts. Meanwhile, their children, Deborah, Alice and Clemmie, frolic on the grounds, oblivious to their parents’ difficulties. Alice, 16, is a budding mystery writer (whose future fame will equal Agatha Christie’s), but in 1933 she’s nursing a teenage crush on Ben, an impecunious gardener. As a lark, she concocts a hypothetical scenario which might have prompted Ben to kidnap Theo, her baby brother. Flashbacks reveal that Deborah and Clemmie also have reason to blame themselves for Theo’s disappearance during an all-night Midsummer’s Eve party—he was never found and his fate remains unknown. At loose ends, Sadie investigates this cold case, developing several theories. As the various skeins intersect, the story becomes unwieldy; using multiple narrators, Morton can believably withhold information to build suspense, but when such selective nondisclosure is carried to extremes, frustrated readers may be tempted to practice their skimming.

An atmospheric but overlong history of family secrets and their tormented gatekeepers.

Pub Date: Oct. 20, 2015

ISBN: 978-1-4516-4932-1

Page Count: 512

Publisher: Atria

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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THE FLAMETHROWERS

Kushner writes well and plunges us deeply into the disparate worlds of the New York City art scene, European political...

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A novel of art and politics but also of bikes and speed—not Harleys and drugs, but fine (and fast) Italian motorbikes.

At 21, Reno (who goes by the name of the city she comes from) has graduated with a degree in art from the University of Nevada-Reno, and she does what any aspiring artist would like to—heads to New York City. She gets her kicks by riding a Moto Valera, a magnificent example of Italian engineering. In fact, for one brief shining moment in 1976, she sets a speed record of 308.506 mph on her bike at the Bonneville Salt Flats in Utah. This impressive achievement occurs the year after she’d headed to New York, where she’d taken up with—amazing coincidence—Sandro Valera, scion of the Italian manufacturer of the motorbikes she favors and, like Reno, an aspiring artist in New York. Other coincidences abound—for example, that Reno had had sex with a young man, and they’d agreed not to exchange names, but shortly afterward she finds out he’s a close friend of Sandro’s, and he goes on to play a major role in her life. Kushner spends a considerable amount of time flashing us back to the Valera who founded the firm in the early 20th century, and she updates the fate of the company when Reno and Sandro visit his family home in Italy. There they experience both a huge demonstration and eventually the kidnapping of Sandro’s father, a victim of the political turbulence of the 1970s.

Kushner writes well and plunges us deeply into the disparate worlds of the New York City art scene, European political radicalism and the exhilarating rush of motorcycles.

Pub Date: April 2, 2013

ISBN: 978-1-4391-4200-4

Page Count: 400

Publisher: Scribner

Review Posted Online: Jan. 2, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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