Morton’s finesse with family secrets increases with each novel.
A daughter refuses to let her mother take a grim secret to the grave.
In 1961, Laurel, a teenager sulking in a treehouse, sees her mother kill a man with a knife intended for her infant brother’s birthday cake. During the ensuing investigation, the police question Laurel, who leaves out a crucial detail. Just before her mother stabbed him, the man had said, “Hello, Dorothy. It’s been a long time.” Dorothy is cleared—the man is presumed to be a wanted pervert whom she killed in self-defense, and the Nicholson family life goes on as before, with Dorothy, husband Stephen and their five children enjoying life in their bucolic farmhouse. An early flashback reveals that Dorothy may have had a shady past, which induced her to flee London in 1941, at the urging of her friend Vivien, who was subsequently killed in the Blitz. In 2011, Dorothy is close to death. Laurel, now a famous actress in her 60s, embarks on a quest to learn the truth about the homicide. First, she learns that her mother’s victim, Henry Jenkins, had once been a prominent writer who fell from grace. Flashbacks from Dorothy’s POV and Laurel’s research reveal that during the war, Dorothy, whose family was killed by German bombs, attempts to befriend her fellow war-work volunteer, the somewhat aloof Vivien, an heiress who was also orphaned when a car crash claimed her parents and siblings in Australia. But Vivien is married to the controlling, jealousy-prone Jenkins, an author who’s also involved in intelligence work for the government. When Vivien inexplicably insults her, Dorothy assumes that slander from Vivien also caused Lady Gwendolyn, Dorothy’s late employer, to deny her a hoped-for inheritance. Together with her fiance, the talented and sensitive photographer Jimmy, Dorothy plots revenge in the form of blackmail, threatening to give Jenkins evidence of Vivien’s infidelity. Despite some improbable developments, the suspense mounts throughout, culminating in a shocking twist.
Morton’s finesse with family secrets increases with each novel.Pub Date: Oct. 16, 2012
ISBN: 978-1-4391-5280-5
Page Count: 480
Publisher: Atria
Review Posted Online: Sept. 2, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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