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ORDINARY LOVE

A sexy, bittersweet novel with characters that peel off the page.

A recently separated writer and an Olympic track star reconnect.

Emily lives a privileged life as wife to hedge fund partner Jack and mother to two bright, inquisitive children. She married immediately after graduating from Harvard; after all, Jack was perfect: kind, handsome, enamored with her, and “his happiness—like his wealth, his love—felt good.” She said yes without looking back, and, after becoming pregnant unexpectedly, chose to forgo law school for a life as a stay-at-home mom. When her marriage hits a breaking point—and she realizes Jack might not be the man she thought he was—she’s thrust into a new reality, facing down threats of financial ruin and even loss of custody. It’s during this separation that she reconnects with her first love, Gennifer Hall. But it’s been 15 years since they fell for one another in small-town Ohio, and Gen is no longer the lanky, adoring teenager with worn-through shoes whom Emily first kissed in the bed of a pickup truck. She’s a world-famous athlete now, with a new wardrobe and a string of glamorous ex-girlfriends, and she’s still stony over their abrupt breakup. As Emily takes account of her priorities and desires, she and Gen drift back into one another’s now very different lives. The novel, which leaps between the present day and various points in Emily’s life, is tender and finely written. The women’s love for one another—at times hesitant and strained, but ever-present—is central, but Emily’s journey to rescue her autonomy and creativity, and protect her children, is just as stirring. This dialogue-heavy novel burns slow, drawing the reader deep into the protagonist’s interiority and through the emotional turbulence that shakes Emily’s most important relationships as she conjures “a vision, clear as fact, of what could have been.” By the end, readers will feel they know Emily and Gen backward and forward, and they will almost certainly miss spending time with them.

A sexy, bittersweet novel with characters that peel off the page.

Pub Date: June 10, 2025

ISBN: 9780593803264

Page Count: 368

Publisher: Knopf

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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