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THE WINNER'S CRIME

From the Winner's Trilogy series , Vol. 2

Enthralling, agonizing and incandescent.

The middle entry in a fantasy trilogy brings new players to the game while exponentially raising the stakes.    

Lady Kestrel has successfully bargained for limited independence for the Herrani people, but only at the price of her own freedom. Now betrothed to the feckless Imperial heir, she risks even more as a spy, while managing to convince everyone—most particularly Arin, once her slave, then her captor, now governor of Herran—of her ruthless devotion to tyrannical Valorian dominion. The twisty plot is a cleverly constructed puzzle box of intrigue and deceit, couched in graceful prose that shifts from restrained to voluptuous. The diversity both between and within the various cultures suggests a richly detailed world; yet as the fate of peoples, kingdoms and empires hangs in the balance, the conflict plays out at the most intimate personal level in the reluctant, dangerous, impossible attraction between Kestrel and Arin. Her ferocious intelligence and his blazing integrity demand sympathy and allegiance even when the intense yearning, distrust, rejections and betrayals become almost too painful to bear. As positions harden and blood is shed, their destruction at each other’s hands looms ever more certain; but a desperate hope that somehow disaster can be averted propels readers to the final devastating page, leaving only the excruciating wait for the sequel.

Enthralling, agonizing and incandescent. (Fantasy. 12 & up)

Pub Date: March 3, 2015

ISBN: 978-0-374-38470-8

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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