A triumphant queer coming-of-age story that will make your heart ache and soar.
A 17-year-old struggles to navigate friendship and finding herself while navigating a toxic relationship.
Biracial (East Asian and white) high schooler Freddy is in love with white Laura Dean. She can’t help it—Laura oozes cool. But while Freddy’s friends are always supportive of her, they can’t understand why she stays with Laura. Laura cheats on Freddy, gaslights and emotionally manipulates her, and fetishizes her. After Laura breaks up with her for a third time, Freddy writes to an advice columnist and, at the recommendation of her best friend Doodle, (reluctantly) sees a psychic who advises her that in order to break out of the cycle of her “non-monogamous swing-your-partner wormhole,” Freddy needs to do the breaking up herself. As she struggles to fall out of love and figure out how to “break up with someone who’s broken up with me,” Freddy slowly begins to be drawn back into Laura’s orbit, challenging her relationships with her friends as she searches for happiness. Tamaki (Supergirl, 2018, etc.) explores the nuances of both romantic and platonic relationships with raw tenderness and honesty. Valero-O’Connell’s (Lumberjanes: Bonus Tracks, 2018, etc.) art is realistic and expressive, bringing the characters to life through dynamic grayscale illustrations featuring highlights of millennial pink. Freddy and her friends live in Berkeley, California, and have a diversity of body shapes, gender expressions, sexualities, and skin tones.
A triumphant queer coming-of-age story that will make your heart ache and soar. (Graphic novel. 14-adult)Pub Date: May 7, 2019
ISBN: 978-1-62672-259-0
Page Count: 304
Publisher: First Second
Review Posted Online: March 6, 2019
Kirkus Reviews Issue: April 1, 2019
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
A romantic romp through the supernatural.
Blackwater, Maine, isn’t an ordinary town, but Eli Hirsch and Tony Price are mostly ordinary boys.
Eli, a trans Jewish boy, is isolated by an autoimmune disease, an overbearing mother, and a standoffish attitude. Popular track star Tony, who is cued as Puerto Rican, fights with his distant father and is watching his childhood best friend turn into a bully. But mysterious things are afoot: Tony is bitten by a werewolf, and Eli is being followed by a ghost. Trying to unravel the werewolf curse, Tony, Eli, and Marcia, Tony’s levelheaded goth friend who reads as Black, investigate, coming across intriguing complications and haunting dangers. The horror elements are playful, spooky, but not too frightening, providing a backdrop that adds to the developing relationship between the boys. Despite some animosity, they accept one another exactly as they are, with no pretenses, as their friendship turns into a mutual crush. There’s a kind earnestness to their connection, particularly Tony’s easygoing support toward Eli’s chronic illness. An exciting element lies in the artwork: The creators illustrate alternate chapters, with Arroyo’s vivid and dynamic lines and more cartoonish style serving action scenes well and Graham’s precise approach highlighting more heartfelt, character-driven moments. The styles blend together seamlessly to make a stronger whole. However, the story, while breezy and enjoyable, feels incomplete, missing details that would make characters and their emotional arcs more complex.
A romantic romp through the supernatural. (Graphic horror. 14-18)Pub Date: July 19, 2022
ISBN: 978-1-250-30402-5
Page Count: 304
Publisher: Henry Holt
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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