An ambitious comedy-thriller that takes aim at Bond adventures but misses the mark.
A retiree becomes an unlikely woman of mystery in Dahlman’s slapstick homage to James Bond.
Sixty-five-year-old Nancy Norman, who recently ended a career as a home nurse, loves James Bond movies and spy novels, her cat (Dr. GoldenPaw), and the act of bedazzling nearly every surface of her Minneapolis home. She’s a woman with big dreams but little means to make them a reality, beyond a casual flirtation with a handsome stranger on a dating app for senior citizens, and she lacks a clear sense of purpose. So when she’s offered an overpaid position as a substitute night nurse for technology mogul and environmental activist Gnut Berdqvist, she takes it. After intruders break into Gnut’s mansion, however, Nancy uncovers a labyrinth of corporate intrigue, fraud, and violence—and on top of everything, her cat goes missing. Dahlman’s novel makes a solid effort to pay homage to classic espionage thrillers, and the fact that the protagonist is a senior citizen is relatively uncommon in the genre and sets the stage for a truly engaging story. However, various attempts at humor throughout the book often come off as silly. Characters generally feel underdeveloped and frequently use catchphrase-laden language, such as a retired football star turned hacker who often uses football metaphors: “Hell yeah. Touchdown. Accessed the power grid.” Others fall into stereotypical patterns: The villains are oafish, Gnut is a self-absorbed pseudo-environmentalist, and Sinclair, who becomes Nancy’s love interest, is a narcissistic Englishman who wears a tuxedo to a jewel heist. The plot frequently drags through unimportant details, particularly toward the end, as a battle or a tense scene takes place in nearly every room in Gnut’s expansive mansion. Finally, frequent references to Target department stores and its brands make the book feel like an advertisement at times, rather than an intriguing spy tale.
An ambitious comedy-thriller that takes aim at Bond adventures but misses the mark.Pub Date: today
ISBN: 9781960226327
Page Count: 374
Publisher: Brother Mockingbird
Review Posted Online: Feb. 23, 2026
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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