An engrossing tale of fractured families trying to cobble their identities back together.

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HOUSE OF FOSSILS

A Haitian American immigrant ponders her life and traumatized homeland in this novel about exile and return.

Phipps tells the story of Io, a mixed-race woman born to an affluent Creole family in Port-au-Prince, as she consolidates her life as an artist and writer in Cambridge, Massachusetts, while still feeling the tug of her past in Haiti. The loose-limbed, episodic narrative unfolds over a decade, starting in 2004 with a dreamy prelude in which Io vacations on the Nova Scotia coast, stays in a strange house full of fossils, and meets a mysterious little girl who is somehow connected to the celebrated ghost ship Mary Celeste. The tale moves on to Io’s legal wrangles with her ex-husband and her estrangement from their adopted Haitian daughter, Eveline; her new marriage to a kind Englishman named Thomas; and a tense Alaskan cruise with her sister, Europa, an eccentric lost soul still living in Haiti who bears emotional scars from brutal relationships with men. A family reunion in Florida reconnects Io with her cagey, charismatic Aunt Rose and other relatives and lets her revisit her socially prominent clan’s history before it was driven out after Rose’s husband was assassinated by Haitian dictator François Duvalier. The book closes with Io’s return to Port-au-Prince, where she takes in the city’s squalor, tensions, and faded glory. She recalls her own narrow escape from a military death squad hired to kill her by a tenant behind on her rent, witnesses a confrontation in which her cousin almost shoots a thief, and goes to the still gorgeous cathedral.

Phipps, a Haitian American poet and novelist, broadens Io’s experiences into a troubled portrait of social fissures. Io lays claim to a legacy of oppression because of the suffering that Haitians endured from European colonialism and slavery. Yet she’s uneasily aware of her own racial privilege, of the seething resentments dividing the light-skinned, Creole elite she belongs to from the poor, Black Haitians that her family employs as servants. She feels this antagonism may have poisoned her relationship with Eveline, a Black girl born in a slum. The vibrant novel uncoils in rich ruminations and conversations sprinkled with nuggets of history and cultural lore. Sometimes the author’s prose is stark in its depiction of Haitian reality and the hardness it breeds in the poor and rich. (“Beggars swarm around the car, knocking wildly at all windows,” Io observes on the ride in from the Port-au-Prince airport. They “would instantly start slapping and fighting off each other to get the first grab at whatever morsel is handed out, then pummel the one who got it, snatch it from him and run. You’ll lose your arm and anything on it if you try to give alms.”) But Phipps can also shift into a haunting lyricism, as when Io imagines a shipwreck, “feeling the ancient despair of one woman drowned, huddled onto herself, detached like a single musical note etched on a dark green, empty sheet, her disheveled long hair entangled with seaweed that wrapped around her naked white form in long strips resembling the final dress of a mummified being.” The result is an imaginative meditation on Haiti’s beauties and discontents and the mark they leave on a writer’s soul.

An engrossing tale of fractured families trying to cobble their identities back together.

Pub Date: Dec. 12, 2019

ISBN: 978-1-950743-16-2

Page Count: 248

Publisher: Calumet Editions

Review Posted Online: March 26, 2020

Kirkus Reviews Issue: May 1, 2020

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Light on suspense but still a solid page-turner.

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THE LAST THING HE TOLD ME

When a devoted husband and father disappears, his wife and daughter set out to find him.

Hannah Hall is deeply in love with her husband of one year, Owen Michaels. She’s also determined to win over his 16-year-old daughter, Bailey, who has made it very clear that she’s not thrilled with her new stepmother. Despite the drama, the family is mostly a happy one. They live in a lovely houseboat in Sausalito; Hannah is a woodturner whose handmade furniture brings in high-dollar clientele; and Owen works for The Shop, a successful tech firm. Their lives are shattered, however, when Hannah receives a note saying “Protect her” and can’t reach Owen by phone. Then there’s the bag full of cash Bailey finds in her school locker and the shocking news that The Shop’s CEO has been taken into custody. Hannah learns that the FBI has been investigating the firm for about a year regarding some hot new software they took to market before it was fully functional, falsifying their financial statements. Hannah refuses to believe her husband is involved in the fraud, and a U.S. marshal assigned to the case claims Owen isn’t a suspect. Hannah doesn’t know whom to trust, though, and she and Bailey resolve to root out the clues that might lead to Owen. They must also learn to trust one another. Hannah’s narrative alternates past and present, detailing her early days with Owen alongside her current hunt for him, and author Dave throws in a touch of danger and a few surprises. But what really drives the story is the evolving nature of Hannah and Bailey’s relationship, which is by turns poignant and frustrating but always realistic.

Light on suspense but still a solid page-turner.

Pub Date: May 4, 2021

ISBN: 978-1-5011-7134-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Feb. 10, 2021

Kirkus Reviews Issue: March 1, 2021

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A compelling portrait of a marriage gone desperately sour.

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THE MYSTERY OF MRS. CHRISTIE

In December 1926, mystery writer Agatha Christie really did disappear for 11 days. Was it a hoax? Or did her husband resort to foul play?

When Agatha meets Archie on a dance floor in 1912, the obscure yet handsome pilot quickly sweeps her off her feet with his daring. Archie seems smitten with her. Defying her family’s expectations, Agatha consents to marry Archie rather than her intended, the reliable yet boring Reggie Lucy. Although the war keeps them apart, straining their early marriage, Agatha finds meaningful work as a nurse and dispensary assistant, jobs that teach her a lot about poisons, knowledge that helps shape her early short stories and novels. While Agatha’s career flourishes after the war, Archie suffers setback after setback. Determined to keep her man happy, Agatha finds herself cooking elaborate meals, squelching her natural affections for their daughter (after all, Archie must always feel like the most important person in her life), and downplaying her own troubles, including her grief over her mother's death. Nonetheless, Archie grows increasingly morose. In fact, he is away from home the day Agatha disappears. By the time Detective Chief Constable Kenward arrives, Agatha has already been missing for a day. After discovering—and burning—a mysterious letter from Agatha, Archie is less than eager to help the police. His reluctance and arrogance work against him, and soon the police, the newspapers, the Christies’ staff, and even his daughter’s classmates suspect him of harming his wife. Benedict concocts a worthy mystery of her own, as chapters alternate between Archie’s negotiation of the investigation and Agatha’s recounting of their relationship. She keeps the reader guessing: Which narrator is reliable? Who is the real villain?

A compelling portrait of a marriage gone desperately sour.

Pub Date: Dec. 29, 2020

ISBN: 978-1-4926-8272-1

Page Count: 288

Publisher: Sourcebooks Landmark

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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