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IN DEFENSE OF GOOD WOMEN

A NOVEL

A sharp, empathetic, and compulsively readable thriller.

Awards & Accolades

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Zimmerman’s legal thriller follows a small-town attorney whose beliefs are upended when she’s appointed to defend a mother accused of murdering her own child.

Since she took over her father’s practice 20 years ago, Victoria Stephens has known where she stands. A self-described “big-shot attorney in a small town,” she’s known throughout St. Clair County, Michigan, for bringing home the win—and for bringing in huge retainers to spend on red wine and designer shoes. When she’s brought on by the circuit judge for the year’s biggest murder case, though, her other clients take a backseat. It’s the summer of 2016, and the county seat of Port Huron is buzzing with speculation about Calliope “Callie” Thomas, the 17-year-old daughter of a local minister accused of drowning her newborn baby in the St. Clair River, which divides Michigan from Ontario. Callie claims to have no memory of the drowning, of giving birth, or even of being pregnant, but DNA evidence links her to the infant body found in the river, and Victoria knows the defense she’s building is shaky. To make matters worse, the tough-guy county prosecutor, Barrett Michaels—who has a long history with Victoria—is recommending a first-degree murder charge with mandatory life imprisonment. He’s running for a judge’s seat and is determined to project a tough-on-crime image. It looks like the odds are stacked against the young mother, who continues to insist she doesn’t remember a thing. Jean Burley, an older lawyer from Detroit, has been following Callie’s case and insists that Victoria speak to Eleanor Allen, a psychiatrist researching a controversial new syndrome. “Neonaticide syndrome,” Allen explains, is a “specific kind of dissociation” that causes mothers to forget their pregnancy, labor, and panicked desperation to dispose of their baby. The lead seems promising, but a defense based on the syndrome might not be allowed in the courtroom. When Callie’s soon-to-be stepmother finally posts her bail, Callie’s pastor father (whose church sports signs like “THEY’RE THE TEN COMMANDMENTS, NOT THE TEN SUGGESTIONS”) won’t let his daughter come home. Victoria, in her own state of panic, offers to house Callie instead. As the two women attempt to build a case, their lives become increasingly, and perhaps dangerously, enmeshed.

Zimmerman’s novel hits a raw political nerve—though the 2016 U.S. presidential election isn’t mentioned, the story carefully skewers puritanical politics around teen pregnancy and abortion, and the story is dedicated to “all the women charged with infanticide whose behavior has been prejudged and misunderstood.” Geography comes into play; “Canada, just over there…is light-years ahead of us on this issue,” readers are informed (slightly didactically), and the small-town Michigan setting is precisely realized. Evocative descriptive language paints a strong setting: As Victoria looks out onto Lake Huron, she observes that, “A few small fishing boats motored in the opposite direction, unzipping the black water, their wakes spreading behind their sterns like paper fans.” The dependably twisty plot, nicely grounded in the author’s real-life legal experience, unfortunately feels rushed toward the conclusion—there’s just too much to resolve, too quickly. Still, the novel strikes a strong balance between entertainment and political manifesto regarding an underexplored issue. A sharp, empathetic, and compulsively readable thriller.

Pub Date: June 10, 2025

ISBN: 9781684633180

Page Count: 312

Publisher: SparkPress

Review Posted Online: April 14, 2025

Kirkus Reviews Issue: June 1, 2025

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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