A sharp, empathetic, and compulsively readable thriller.
Zimmerman’s legal thriller follows a small-town attorney whose beliefs are upended when she’s appointed to defend a mother accused of murdering her own child.
Since she took over her father’s practice 20 years ago, Victoria Stephens has known where she stands. A self-described “big-shot attorney in a small town,” she’s known throughout St. Clair County, Michigan, for bringing home the win—and for bringing in huge retainers to spend on red wine and designer shoes. When she’s brought on by the circuit judge for the year’s biggest murder case, though, her other clients take a backseat. It’s the summer of 2016, and the county seat of Port Huron is buzzing with speculation about Calliope “Callie” Thomas, the 17-year-old daughter of a local minister accused of drowning her newborn baby in the St. Clair River, which divides Michigan from Ontario. Callie claims to have no memory of the drowning, of giving birth, or even of being pregnant, but DNA evidence links her to the infant body found in the river, and Victoria knows the defense she’s building is shaky. To make matters worse, the tough-guy county prosecutor, Barrett Michaels—who has a long history with Victoria—is recommending a first-degree murder charge with mandatory life imprisonment. He’s running for a judge’s seat and is determined to project a tough-on-crime image. It looks like the odds are stacked against the young mother, who continues to insist she doesn’t remember a thing. Jean Burley, an older lawyer from Detroit, has been following Callie’s case and insists that Victoria speak to Eleanor Allen, a psychiatrist researching a controversial new syndrome. “Neonaticide syndrome,” Allen explains, is a “specific kind of dissociation” that causes mothers to forget their pregnancy, labor, and panicked desperation to dispose of their baby. The lead seems promising, but a defense based on the syndrome might not be allowed in the courtroom. When Callie’s soon-to-be stepmother finally posts her bail, Callie’s pastor father (whose church sports signs like “THEY’RE THE TEN COMMANDMENTS, NOT THE TEN SUGGESTIONS”) won’t let his daughter come home. Victoria, in her own state of panic, offers to house Callie instead. As the two women attempt to build a case, their lives become increasingly, and perhaps dangerously, enmeshed.
Zimmerman’s novel hits a raw political nerve—though the 2016 U.S. presidential election isn’t mentioned, the story carefully skewers puritanical politics around teen pregnancy and abortion, and the story is dedicated to “all the women charged with infanticide whose behavior has been prejudged and misunderstood.” Geography comes into play; “Canada, just over there…is light-years ahead of us on this issue,” readers are informed (slightly didactically), and the small-town Michigan setting is precisely realized. Evocative descriptive language paints a strong setting: As Victoria looks out onto Lake Huron, she observes that, “A few small fishing boats motored in the opposite direction, unzipping the black water, their wakes spreading behind their sterns like paper fans.” The dependably twisty plot, nicely grounded in the author’s real-life legal experience, unfortunately feels rushed toward the conclusion—there’s just too much to resolve, too quickly. Still, the novel strikes a strong balance between entertainment and political manifesto regarding an underexplored issue. A sharp, empathetic, and compulsively readable thriller.Pub Date: June 10, 2025
ISBN: 9781684633180
Page Count: 312
Publisher: SparkPress
Review Posted Online: April 14, 2025
Kirkus Reviews Issue: June 1, 2025
Review Program: Kirkus Indie
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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