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DETOUR FOR EMMY

From a publisher known for nonfiction on pregnancy and parenting for teen parents, a novel detailing one single mother's experiences from her first date with Art, in ninth grade, through giving birth at 16 and later completing community college. Reynolds, who works with teens in an alternative school, crams the story with nitty-gritty problems and outcomes, plainly intended to instruct. Remarkably, though the specifics are overabundant for a work of fiction and the first chapters read much like a case study, Emmy ultimately engages with her intelligence and perseverance and by the integrity of her choices—e.g., she refuses abortion after she feels her baby move; she fights to give little Rosemary a chance to know Art's family, but gives up on Art himself when he proves to be self- centered and immature. The author explores a maximum number of issues: the need for sex education; roles of dysfunctional families; limits babies place on their young parents; continuing education (Emmy's lucky to be a Californian); setting new goals; teachers' prejudices; etc. Her conclusion (``I just started...Cal State L.A.'') is a best-case, if hard-won, outcome. Still, the many dynamics here are right on target, and readers will root for Emmy while picking up plenty of solid, sobering information. Then, steer them on to Wolff's Make Lemonade (p. 670) and Doherty's Dear Nobody (1992)—two powerful, beautifully written books on the same topic, and just as accessible and authentic. (Fiction. 12-16)

Pub Date: Aug. 15, 1993

ISBN: 0-930934-75-X

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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THE SUMMER I TURNED PRETTY

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...

Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly. 

Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together. 

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)

Pub Date: May 5, 2009

ISBN: 978-1-4169-6823-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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