A fun, well-paced jaunt.
A 41-year-old woman is spurred by romantic crisis to confront her relationships to food, body, and identity.
Career-driven Manhattanite Lauren Leo has drifted from one diet to another for as long as she can remember—subsisting, as of late, mainly on egg whites, steamed broccoli, and self-hatred. The daughter of a rigid, perennially size-4 mother who thinks “mayonnaise [is] the work of the devil,” Lauren grew up pressured to skip dessert; jealous of her naturally thin younger sister, Stephanie; and subject to relentless physical critique from her mother. By her long-awaited wedding to summer camp sweetheart Eric, Lauren has finally dieted herself down to size 12, and when he leaves her at the altar, she’s horrified that all her careful work has been upended. As she attempts to pick up the pieces of her life and throw herself back into her work at an advertising agency, Lauren returns to food with gusto, almost as though it’s a forbidden lover: surreptitiously chowing down greasy cheeseburgers in her wedding dress after being dumped; buying a dozen doughnuts for “the office” and polishing them off in her car. Things get complicated when her estranged older sister, Margo—a small-time actress with her own weight problems—shows up unannounced to stay at Lauren’s apartment, bringing up long-buried family problems. Meanwhile, she grows unexpectedly close with Rudy, a chatty driver assigned to her by the ad agency. As Lauren muddles through her changed life circumstances, she confronts the way food has affected everything from her career trajectory to family aspirations—and, when crisis strikes those closest to her, how to put her problems into perspective. This novel is a self-deprecatingly funny take on the standard career-woman–searching-for-love narrative—Lauren’s relationship with food is alternately comical and darkly affecting, lending the plot depth and dimension (which, in certain areas, could be pushed further). Rothstein’s characters sometimes slot into familiar molds, but they're consistently lively and fun to read about. Lauren is a highly relatable protagonist, particularly for anyone who has looked in the mirror and wondered, as she does, “Tell me, please: does this body make me look fat?”
A fun, well-paced jaunt.Pub Date: May 24, 2022
ISBN: 978-1-5420-3448-7
Page Count: 301
Publisher: Lake Union Publishing
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
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