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HIRO, WINTER, AND MARSHMALLOWS

Tranquility, camaraderie, and gooey marshmallows add up to one sweet combo.

Longing to experience winter, a brown bear named Hiro shares a frosty evening with a newfound human friend.

Despite her parents’ warnings about the perils of the season, Hiro’s determined to find out about it for herself. She sneaks out while her family is hibernating and is enchanted by what she sees. Drawn to noises in the forest, Hiro happens upon a party. A chaotic multipage sequence depicts children in brightly colored winter gear scampering away. Only Émile, a pale-skinned child clad in a puffy coat that mirrors the color of Hiro’s fur, remains. In delightfully surreal style, the two sit companionably, comparing their lives before concluding that “being a bear or being an Émile is pretty much the same, in the end.” They leave for home, content. Like the marshmallows the pair bond over, this quietly meditative Belgian import is worth savoring; the tale is filled with delectable sensory imagery, from Hiro’s brothers who “wallow in honey-sweet dreams” to the “tiny white confetti” that falls from the sky. The warmly rounded, matte-colored mixed-media illustrations have a theatrical feeling, keeping the focus on Hiro’s emotional journey. Pages alternate between vignettes surrounded by copious white space and expansive full-bleed spreads, such as a dark, cozy page where the friends gaze at each other, wearing party hats the color of the fire.

Tranquility, camaraderie, and gooey marshmallows add up to one sweet combo. (Picture book. 4-9)

Pub Date: Sept. 3, 2024

ISBN: 9780802856326

Page Count: 40

Publisher: Eerdmans

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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