Fiction that explores not only what it means, but why it matters.
An allegorical novella challenges readers to connect the dots and fill in the blanks.
Though the narrative is short, there is plenty to unpack here as the Mexican-born avant-gardist Bellatin conjures an imaginary Japan where convention is under challenge. Institutions seem to be crumbling beneath their smooth surfaces, and marriage is one of them. Mrs. Murakami has all but lost her identity and personality after marriage, with most of the story detailing her formative years as the schoolgirl Izu. She was bright and independent, constricted by the customs concerning single women, beset by her father’s health and legal issues. As an art student, she finds herself unwittingly in conspiracy with a charismatic professor and the editor of an influential magazine. The professor assigns her to write an analysis of Mr. Murakami’s art collection, which turns out to be a somewhat disparaging appraisal, and the magazine’s director wants to publish it. “ ‘Finally, someone dared to unmask a fraud whose collection rests on obsolete criteria,’ ” the director says. Yet her visit with Mr. Murakami had left him smitten, and despite a chill in the relationship after her piece was published, they married. Even so, his collection had been discredited, and there were rumors of scandal, that he was connected to “a criminal network that purchased used underwear from students at various all-girls schools and sold them to wealthy men.” In marriage, the two seem to know little about each other and care less. His death leaves his wife all but destitute, though she still has her garden, which he continues to haunt. Following the frequently footnoted narrative, the text concludes with an addenda of 24 numbered items, questions, and considerations for the reader, including a potential plot twist that suggests that “the true motivations of the story’s protagonists will never be known.” Bellatin is a playful novelist who isn't trying to hold the mirror to reality, provide allegory or philosophy or life lessons, and reading this provocative novella makes one consider all sorts of assumptions about "why read?" and "why write?"
Fiction that explores not only what it means, but why it matters.Pub Date: Oct. 6, 2020
ISBN: 978-1-64605-029-1
Page Count: 112
Publisher: Deep Vellum
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.
Exes pretend they’re still together for the sake of their friends on their annual summer vacation.
Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.Pub Date: April 25, 2023
ISBN: 9780593441275
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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